Quotes About Clubs

In the past two or three years, the number of clubs has doubled ... we've got close to 8 000 players, about 60 to 80 clubs. It's not restricted to the metros any more, it's gone rural.

It came from my mother. She was a singer, and literally every day of the week she sang at a different club in a different genre of music: country, R&B clubs, jazz clubs, church on Sunday morning where she was the music director, pop hits, soft rock. I grew up listening to all this music, so it was never one thing for me.

Will any club dominate again? Are any club set up to dominate again? When you look at the clubs that have dominated they've usually got a core five, six or seven players who can stay there for 10 to 15 years. There is a continuity with the management. I'm not quite sure at the moment that I'm seeing the decision making at any of the top clubs to be able to suggest that domination is actually achievable again. Maybe in the future, but I'm not quite sure it'll happen very soon.

I played a lot of tough clubs in my time. Once a guy in one of those clubs wanted to bet me $10 that I was dead. I was afraid to bet.

Clubs are so lame. Nobody even dances at these clubs. They stand around and get drunk and they schmooze. There is no enjoyment factor.

What if more and more parents, grandparents and kids around the country band together to create outdoor adventure clubs, family nature networks, family outdoor clubs, or green gyms? What if this approach becomes the norm in every community?

The clubs usually enforce no filming of performances pretty well. I want to know that what I'm doing is in the here and now and it's mine. I absolutely want control over my performances. And it is actually scary to see someone filming you without permission. Like Big Brother is watching. All these cameras don't make up for a life that isn't well-lived! I agree that people don't live in the moment, they instead live to make a name for themselves as "people who are living exciting lives and at great events".

I do love live performing, but I'm not a stand-up naturally, and I don't like the lifestyle of working just in the evenings at clubs.

I liked playing in small clubs. I really liked holding the attention of thirty or forty people. I never liked the roar of the big crowd.

Some clubs want to win so much they'll do anything to get it. Our approach has been just the opposite. We've tried to do things the right way. And the right way is [abiding by] the rules and regulations ... I may not like all of them, but once they are [official], we play by them.

There was interest from clubs in Italy and England, I believe. But I've never been attracted by the way they play in Italy. Staying in Spain was always my preference.

I started out playing in clubs. I always like existing under ground and over ground at the same time.

The Edith Head Trio, I would say, would be even less of a musical career than playing the accordion, particularly because I played the accordion in The Edith Head Trio. I'm very impressed by your Googling. The Edith Head Trio and another band, Tzamboni, were two bands I was in after college that played at tiny clubs to little acclaim. Our Gypsy tango version of "When Doves Cry" was our biggest hit.But we were not destined for greatness.

Paris in the early morning has a cheerful, bustling aspect, a promise of delicious things to come, a positive smell of coffee and croissants, quite peculiar to itself. The people welcome a new day as if they were certain of liking it, the shopkeepers pull up their blinds serene in the expectation of good trade, the workers go happily to their work, the people who have sat up all night in night-clubs go happily to their rest, the orchestra of motor-car horns, of clanking trams, of whistling policemen tunes up for the daily symphony, and everywhere is joy.

When it came to the stylish and graceful art of ballroom dancing, my dad was a king of the clubs, a prowling tiger and a wonderfully natural mover.

Comedy clubs have brick walls behind the performer. Bricks make you funny. When I'm in front of a fireplace, I'm hilarious.

Getting a gay fan base is slow. I think if I were able to reach more gay people they would love it. I can't get the songs in their ears. I love my gay family. I just wish I could reach more of them. I'm in this car going from club to club but they're not gay clubs.

Growing up, I'd already decided I wanted to be a beatnik. A Bohemian poet, I thought. Or a musician. Maybe an artist. I'd dress in black turtlenecks and smoke Gitanes. I'd listen to cool jazz in clubs, getting up to read devastating truths from my notebook, leaning against the microphone, cigarette dangling from my hand.

When it comes to female fan attention, I'm married, so obviously I avoid the places where you might get unwanted female attention - clubs and social environments, bars and public spaces.

Ever since I can remember I’ve had positive and negative fan reviews. And whether it was positive or negative it wasn’t always based in reality or what my perception of the music was. But judging from playing these new songs live and my feelings on the record [Scream] – and it’s a great record – there is definitely an audience for it. Also, I don’t really go to clubs so I don’t know what sounds are made there.

I started doing stand-up at the age of 20. This was back in 1976, around the time (coincidence?) that the first comedy clubs were starting. The young comedians of today gasp when I tell them how many shows I did that first year: 500. Five nights a week.

As with Cesc Fabregas, some players who go and play for foreign clubs improve on a cultural level. It makes them grow on many levels; intellectually, because you have to learn a new language and adapt to another culture, and on a footballing level too.

I live in New York and I love hanging out in gay clubs, and a lot of my friends are gay. But, for better or for worse, I'm not gay.

The Blues scene now is international. In the '50s it was purely something that you would hear in black clubs, played by black musicians, especially in America. But from the '60s onwards it changed

Bob Saget was known, in the comedy clubs in those days, as extremely funny but with dark humor. It was always an inside joke among comics, when he got Full House, it was, like, wow, hes playing this all-American dad kind of thing. That was not Bob Saget. His comedic style is definitely more twisted, and he has an edgier side than he showed in Full House.

As for being sociable, I hate the phoniness in the showbiz world. I know this will be taken wrong, but I don't like clubs and organizations. I was never a joiner.

The Jews celebrate Passover by eating unpalatable food to remind them what will happen to their people if they ever leave New York City. The traditional meal often includes gefilte fish. For those of you who don't know what gefilte fish is, it strongly resembles a ball of tuna fish that has been passed nasally. It's not good. During Passover, the angel of death passed over the Jews - an event that, up until the late 1950s, was re-enacted every year by Ivy League colleges and suburban country clubs.

The people responsible for the dollars that will buy the sex and violence so many deplore, don't even know what's going - well, of course they know. But they're comfortably ensconced in their country clubs and churches, and very far removed from the decisions that are made on their behalf.

James Brown opened at least six of our House of Blues clubs. He always delivered, but he demanded the respect of an emperor. But, come on, he's James Brown ! ... I got to play on stage with him. Did he ever fine me ? (Brown was known to fine players for flubbing notes or steps) - I would have loved to have been fined by James Brown !

I've been singing since I was 8 years old and working in clubs since I was 14. I've been working full time since I was 16.

I think that when people join clubs as simple as a sorority or a fraternity, a football team, a baseball team, it's just - you want to be in a group. You want to be around people, you want to be with people.

A few suits of clothes, some money in the bank, and a new kind of fear constitute the main differences between the average American today and the hairy men with clubs who accompanied Attila to the city of Rome.

I have a contract and I refused a lot of opportunities to be the manager of important clubs because I want to stay here. I like this job. I like to be the England manager.

I came here knowing nobody. I worked clubs as a singer and even the doors a few times before I landed some TV roles.

Sir Alex has a special place in my life. In fact, he was the main man. I was not famous, I was not a star. I arrived at Old Trafford as just another young talent. He was the one who told me to do all the right things. He gave me the opportunity to play in one of the biggest clubs in the world. So he is one of the most important people in the world for me. I worked with Sir Alex for a few years and I know he deserves ­everything that he has achieved in his career. He works so hard, he is clever, he has experience, he is a human guy.

I am not a joiner. Somewhere I once said that people join clubs now for the very reason they once carried them, a need for security. Maybe I'm alone more often than I should be, because I try to find security within myself.

So it just goes to show you that it was always the Hells Angels first. They were the originals and all other clubs try and imitate what the Hells Angels have already done.

People in the U.S. always got to be spoon-fed. If it's something to difficult to understand, they don't give it a chance. They want something real simple that they can sing along with and play in the clubs and that's about it. In the UK, their whole mind set is completely different.

I'm really quite simple. I don't want to be in the business full time because I'm a gardener. I plant flowers and watch them grow. I don't go out to clubs and partying. I stay at home and watch the river flow.

I did do a little research. I went to a couple really fantastic strip clubs with really talented dancers, just in terms of their physical prowess. For the scene, there was a whole dance routine that I had to do, so I worked with a pole dance instructor who helped me choreograph a number for that scene. We broke down the principles of pole dancing, for three days, for an hour a day.

It may have lost its special-ness forever and the clubs might not being doing well but I think standup is in the best shape it has been in a long time.

I'm aware that at the big, big clubs stuff can change quickly, as can opinions and people in charge. Not everyone is going to like you, not everyone is going to want to play you and that's the business side of it, which I've grown into and I'm certainly not going to take personally.

He's just intelligent-sort of a nerd, actually. He's the only brother I know who made a 1420 on the SAT. I don't think Chris Dudley did that, and Mr. Smarty Pants went to Yale. Kobe doesn't hang out. He doesn't go to the clubs. He doesn't ride around. He doesn't put rims on his car. He's just him. He's a sophisticated kid. Damn mature for his age.

Java is C++ without the guns, clubs and knives.

If you spent your weekends in the clubs, you could see the change in the eyes of the people. They became merciless, in a way, in their desire to be entertained.

Every golfer should come to the first tee with fourteen clubs, a dozen balls, a handful of tees, and at least one great golf story

Private, accidental, confidential conversation breeds thought. Clubs produce oftener words.

I don't go to parties. I don't go to clubs. My friends and I don't go drinking, we play D&D. I'm still a weird entity in the world.