Quotes About Clubs

Now we know everything about golf equipment. A player doesn't have to know diddly about golf clubs, because we know what a golf club can do and how it can fit to you. I hate to harp on my era because people don't like that, but 30 years back was so different. I didn't have maxed-out clubs. The clubs now are amazing.

I started out in clubs, and I've always liked clubs. I like theaters because people are there for the show.

What if more and more parents, grandparents and kids around the country band together to create outdoor adventure clubs, family nature networks, family outdoor clubs, or green gyms? What if this approach becomes the norm in every community?

I've always stayed on the periphery of things. When I used to go to the punk clubs and things like that, I was never up front. I always wanted to be in the back, or on the side, because I wanted to get the whole view, rather than be staring up at someone's nostrils.

I didn't like dancing in Canada. The managers of the clubs treated me as less than a cow. And Canadians don't tip so you have to ask for more base pay.

I'm a big boy, but I can get jiggy with it. Ladies, I will go to dance clubs, and I will tear it up hardcore for a good 30 seconds.

I do love live performing, but I'm not a stand-up naturally, and I don't like the lifestyle of working just in the evenings at clubs.

I don't get pictures taken of me when I leave clubs.

Smoking pot makes people talk for long periods of time, for instance, so people who advocate pot won't shut the hell up about it. On the other hand, no one really needs to defend drinking. That's something that frustrates me as a comic: I have to play clubs where selling booze runs the business, so crowds get drunk and yell out a bunch of stupid stuff at me. Pot doesn't cause people to do that. I did a show in Amsterdam a few months ago, and people weren't yelling stuff out at all. They also weren't laughing very much, but I think they were still having a good time.

If I can sell out clubs and theaters and play dirtbags in movies, and get blown up in a car or get the crap beat out of me in a movie, that's good for me; I'm good.

I grew up on North American sports teams as well as English soccer clubs.

I never did anything for free. Other than dancing in clubs. I give that away for nothing.

The other day I broke 70. That's a lot of clubs.

On the weekends, I would go down and play these clubs in Key West or West Palm Beach or surrounding areas of Florida and then I'd go back to school for the week.

Strip clubs are great places to meet interesting people you only wanna know for about 40 minutes.

I think there is more comedians now than ever, more venues now than ever. There are stand-ups who live in towns where they don't have many comedy clubs where they are organizing more comedy nights in bars. I just think this is a fantastic time for stand up.

Nothing against comedy clubs, they work. But when you're sitting with a tablecloth and a candle and an appetizer menu, three-drink minimum, it can feel more like a dinner theater than a live experience.

The crowds at West Ham haven't been rewarded by results, but they keep turning up because of the good football they see. Other clubs will suffer from the old bugbear that results count more than anything. This has been the ruination of English soccer.

Bob Saget was known, in the comedy clubs in those days, as extremely funny but with dark humor. It was always an inside joke among comics, when he got Full House, it was, like, wow, hes playing this all-American dad kind of thing. That was not Bob Saget. His comedic style is definitely more twisted, and he has an edgier side than he showed in Full House.

I had no interest in sports so I didn't make friends in that traditional way where kids are in public school and they go and they join clubs, and play sports. So I kind of had to find my own way to make friends and get attention and so I just was the class clown.

Vikings don't have faults, they have clubs.

To be respected as an actor it doesn't help to be seen out in the clubs.

Comedy clubs were something that came to pass in the '80s, but toward the end of that, in the early '90s, people started doing comedy again in alternative spaces.

I wanna go to the clubs and actually have a good time too, but at the same time, when the party's over, I have to go back to the real world and try to figure out who I am.

He took comfort in the neon signs, the wild strands of jazz creeping out of clubs whenever happy swells of people pushed through the doors in their finery.

I sat in at every club in New York City, jamming with musicians, because it felt right - and because it felt right and we were having fun - the people dancing and sipping their drinks in the clubs felt it too and it made them smile.

Gay bars in America aren't weird sex clubs. They're sanctuaries. I know so many straight friends that go to gay bars more than I ever do, male and female, because they can go there and be social and there's no expectation there. It's a safe place. It's almost like the real world version of Comic-Con in some places. You can go without judgment.

I'm convinced no one actually likes clubs. It's a conspiracy. We've been told they're cool and fun; that only "saddoes" dislike them. And no one in our pathetic little pre-apocalyptic timebubble wants to be labelled "sad" - it's like being officially declared worthless by the state. So we muster a grin and go out on the town in our millions.

Everything I do comes from the clubs. If I lose that, I'm done.

I looked at the cards in my hand, the queen of hearts nestled between the king of clubs and the king of spades. No wonder she was smiling.

Night to night, doing the clubs is a lot of fun too because you have a lot more freedom and you don't have to worry about swearing or going off the script or going long or going short. If you bomb, only a handful of people see it. On TV, a lot of people see it.

I just started writing for my own amusement and occasionally singing in little clubs around Los Angeles. Then I wrote "The Rose," and through a series of divine things that I had no control over and had no idea were going to happen, it got in the movie, and that changed everything.

You bet I arrived overnight. Over a few hundred nights in the Catskills, in vaudeville, in clubs and on Broadway.

When I first was trying to play the clubs around Houston to start playing my own songs, songwriters like Eric Taylor and Vince Bell and Townes Van Zandt and Don Sanders were just really encouraging to me and would let me sit in with them during their sets and introduce me to the person that owned and booked the club.

I don't really go to clubs anymore. I’m actually quite settled. Living in Highgate with my dog and my husband and my daughter! I’m not a hell-raiser. But don’t burst the bubble. Behind closed doors, for sure I’m a hell-raiser.

I'm really quite simple. I don't want to be in the business full time because I'm a gardener. I plant flowers and watch them grow. I don't go out to clubs and partying. I stay at home and watch the river flow.

I like to play small clubs.

The Frankfurt Galaxy( The NFL Europe team) always had tremendous success, at that time there were 2,000 American football clubs in Europe playing the game from juniors through to adults.

I'll go back to comedy clubs when they get a real no-camera policy, the same way they did with smoking.

I wanted to be different and original but still have it be something my fans could get into. There also are some big, beautiful ballads. I told my producers that I wanted tracks that are going to blow up in the clubs, but I also wanted songs that were very melodic and with a lot of instrumentation.

Every golfer should come to the first tee with fourteen clubs, a dozen balls, a handful of tees, and at least one great golf story

When we first started and started hitting new places for the first time, you kinda didn't know, because we were new. Sometimes we played tiny little clubs and sometimes we'd play a larger place.

Golf has become so manicured, so perfect. The greens, the fairways. I don't like golf carts. I like walking. Some clubs won't let you in unless you have a caddy and a cart.

These new metal bands are going out, getting drunk and going to strip clubs, and they'll be doing the same in thirty years. There isn't even an interesting self-destructive quality to it . . . it's just dumb.

We must institute a coup d'etat, a third revolution, which must beat down anarchy. Dissolve the Paris Commune and destroy its sections! Dissolve the clubs, which preach disorder and equality! Close the Jacobin Club and seal up its papers! ... The triumvirate of Robespierre, Danton and Marat, all the 'levellers', all the anarchists. Then a new Convention will be elected.

Hip-hop has been so important in my work, because it speaks to the idea of money being tied to cultural capital in an honest and transparent way. When I was growing up in LA, money was equivalent to class, and it was a passport. Hip-hop emphasizes that, but Hollywood and show business bear it out. If you have money, there really is no barrier to social mobility. There are still social clubs in Newport where you can't get in even if you have money, but that is really rare.

Major League Baseball's labor negotiations involve two paradoxes. The players' union's primary objective is to protect the revenues of a very few very rich owners - principally, the Yankees'. The owners' primary objective is a more egalitarian distribution of wealth. The union believes that unconstrained spending by the richest three teams pulls up all payrolls. Most owners believe that baseball's problems--competitive imbalance, the parlous financial conditions of many clubs--result from large and growing disparities of what are mistakenly treated as 'local' revenues.

Our conscience, our faith, our local community, even our online hobby clubs - all civilize us.