Quotes About Funny

[Simone Weil's] life is almost a perfect blend of the Comic and the Terrible, which two things may be opposite sides of the same coin. In my own experience, everything funny I have written is more terrible than it is funny, or only funny because it is terrible, or only terrible because it is funny.

I just hate the whole idea of labeling anything as a comedy. If you tell me something's funny, I'll want to rebel against it. When I go to a bookstore and see books categorized as humor, I get furious. Don't tell me that a book is funny. Let me decide if it's funny. It's the same with sitcoms. You call something a sitcom and people expect it to be funny. And that ruins everything.

The idea of surprise is part of what makes something funny, or what gets a reaction. At least when I'm an audience member, after you hear a joke so many times it's not as funny because it loses its surprise or its twist. So I think funny has to do with surprise.

If a comedian tells a joke that you find funny, you laugh. If he tells a joke you do not find funny, dont laugh. Or you could possibly go as far as groaning or rolling your eyes. Then you wait for his next joke; if thats funny, then you laugh. If its not, you dont laugh - or at very worst, you can leave quietly.

One of the things that is always difficult about a collaboration is that you don't necessarily find the same thing funny. And so the challenge becomes, how do you tell the other person that you don't think something's funny? The best collaborations tend to be when you are willing to be told that. But there's also ego involved, and so there's a lot of frustration in knowing that you're writing something, and the other person, on some level, needs to think that it's funny.

I've never been funny. I don't think I'm funny. People say I'm funny. I go, 'No. No. I'm not.' But again, knowing what it means to film on a TV show and on film, you have to repeat, repeat, repeat. You have to do the same thing a number of times if you're filming a sequence. And to carry that energy in a comedic mode, would be a challenge that I really would frightfully scared, but I'd have to buck up and pull up my bootstraps and say, 'I can do this. Let's figure it out.'

Comedy should never be over-analysed. It's either funny or it isn't. There's a subtle difference between those who say funny things and those who say things funny.

I think all good drama is funny. All the best drama is ultimately very funny. Life is funny. You can't have any honest treatise on life without bumping into some humor.

It is not funny that a man should be killed, but it is sometimes funny that he should be killed for so little, and that his death should be the coin of what we call civilization.

Interestingly it's when you come to the comedy, that's where a lot of the discussion is. It's like ten people sitting around talking about what is funny. "Is that funny? Is that funnier than that? Is this slightly funnier than this?" I guess that's what it's like when you're making a comedy movie as well, you just have to sit around talking seriously about the nature of comedy.

I've always tried to come up with funny dancing since I was young, to attract girls' attention for one thing. It's got to be funny. I can't pull it off with serious dances. That's not me.

Great, big, serious novels always get awards. If it's a battle between a great, big, serious novel and a funny novel, the funny novel is doomed.

Films are big hits when they touch a lot of people. Things are not funny in a vacuum, they're funny because we respond to some personal dislocation, some embarrassment, some humiliation, some pain we've suffered, or some desire we have.

Well, I mean, if a joke or humor is bawdy, it's got to be funny enough to warrant it. You can't just have it bawdy or dirty just for the sake of being that - it's got to be funny.

People often can't separate, or can't understand, that to be funny is to be serious; it's a way of pulling people in and not scaring them off. I think a lot of the funny stuff, underneath it, there's a deep anxiety going on.

You feel like telling him you're not single in the way that he thinks you're single. After all, you have yourself. I think a lot of humor is about distracting yourself. Pretend you're not trying to make it funny. Because for some reason the effort to be funny smells like sulphur in our culture.

We just lost our electricity. You want to tell me what’s so funny about that?” “It’s not exactly funny. It’s more of a good news/bad news situation.” “In that case, hit me with the good news first.” “They’re both sort of rolled up into one.” “Stop stalling.” “All right. Now don’t get mad, but . . .” Smothered laughter drifted toward him. “Cal . . . I’m naked.

My way of looking at the world is that if it is true, it is funny and it is dark. No matter how dark it is, I just think it is funny. I can't help it.

I don't think comedy is something you learn. I think it's something that's either there or it's not. When I read a script, I have to see the funny, and if I can see it's funny, it helps me to be able to transmit that.

I also found it funny to think about blackness as the second person. That was just sort of funny. Not the first person, but the second person, the other person.

I don't find the same things funny that many other people seem to find funny. I don't really respond to sex jokes and things like that, and some of my friends look at me and go, "Come on, Nic, that was my best joke. Why aren't you laughing?" I go, "I really don't know why I'm not laughing. I'm sort of out of sync with it." So I'd have to find something that was really about weird human behavior for me to laugh.

When I was a kid I didn't feel like I fit in because - this is really silly and I probably shouldn't say it, but, I didn't think anything was funny. So I used to go home and literally cry to my mom and my step-dad at the time and I didn't think anything was funny. I couldn't laugh.

I like to make jokes; I consider myself a funny person. I just think making jokes about people who are in a situation beyond their control is not funny to them or their families.

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He knew why he wanted to kiss her. Because she was beautiful. And before that, because she was kind. And before that, because she was smart and funny. Because she was exactly the right kind of smart and funny. Because he could imagine taking a long trip with her without ever getting bored. Because whenever he saw something new and interesting, or new and ridiculous, he always wondered what she'd have to say about it--how many stars she'd give it and why.

The trick is always to write in pairs because if at least two people find it funny, you've immediately halved the odds of it not being funny.

I've just seen really, really funny guys, and if I didn't know them, I wouldn't know they were funny from the television. I don't know what it does, it just sucks it away.

Either I'm funny or the world's funny. I don't know which. The bottle and lid don't fit. It could be the bottle's fault or the lid's fault. In either case, there's no denying that the fit is bad.

So much of a stand-up's life is doing live radio and having to be funny and quick on the spot with these strangers, and sort of surgical in terms of how funny I can be in three minutes.

I just think [Gangster Party Line] is funny and stupid and all the dudes in it are real dudes. It's just a funny construction.

I look for the meaning in what's funny, and I look for what's funny about things that are meaningful to me.

One can always come up with funny lists and jokes. You know what? I take it back. Not everyone can always come up with funny lists and some jokes. I'm very lucky to have a gift where I can do that pretty ably.

I think what it is is, if you're in school and you're not that bright or good-looking or popular or whatever, and one day you say something and someone laughs, well, you sort of grab onto it, don't you? You think, well I run funny and I've got this stupid big face and big thighs and no-one fancies me, but at least I can make people laugh. And it's such a nice feeling, making someone laugh, that maybe you get a bit reliant on it. Like, if you;re not funny then you're not...anything

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

No, no, I was only funny on stage, really. I think I was funny as a person toward my classmates when I was very young. You know, when I was a child, up to about the age of 12.

I don't know now if I'm funny. I just keep talking and hope that I hit something that's funny.

Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of über-objective is to make people laugh. You always have to have that in the back of your mind, "Eh, I've got to figure out a way to make this funny."

I do not think that obsession is funny or that not being able to stop one's intensity is funny.

My mom let me kind of run free and be rowdy. She encouraged it. I'm a youngest child. So I was spazzy and trying to be funny to my older sisters. It's kind of my role in the family - tension reliever. I was funny or annoying, depending on your perspective.

The surprising thing is that I was not funny in high school. I was always jealous of the funny kids because they always got the girls. I couldn't tell a joke to save my life.

I try to think of something catchy to say, but there's nothing but irritation that something that was funny yo an eleven-year-old boy is still funny to a seventeen-year-old one.

All you have in comedy, in general, is just going with your instincts. You can only hope that other people think that what you think is funny is funny. I don't have an answer but I just try to plough straight ahead.

I just know from experience that reading a funny poem aloud, especially at the beginning of a public reading, can have a certain effect. Somehow narrowing the spectrum of possible emotional reactions. So while I like it when people laugh at my poems, and I definitely enjoy being funny in them, I don't really think that's the most important thing that's going on, at least not to me.

If you keep yourself alive and current, funny is funny.

Humor has historically been tied to the mores of the day. The Yellow Kid was predicated on what people thought was funny about the immigrant Irish. When you're different in a society, you're funny.

I like being a funny lady. I think theres nothing sexier than a funny lady.

It’s funny—when people call you “shy,” they usually smile. Like it’s cute, some funny little habit you’ll grow out of when you’re older, like the gaps in your grin when your baby teeth fall out. If they knew how it felt—really being shy, not just unsure at first—they wouldn’t smile. Not if they knew how the feeling knots up your stomach or makes your palms sweat or robs you of the ability to say anything that makes sense. It’s not cute at all.

As a kid, I thought of myself as a funny person who secretly wanted to be serious, but now I think maybe I'm a serious person who secretly wants to be funny.