Quotes About Comedy

I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.

Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.

I think the best kind of comedy is the least self conscious. I think if you just sort of let the comedy happen without the elbow nudge, did you get it, did you get it. I love straight face comedy or subtle - relatively subtle comedy.

I'm writing a political comedy that takes place in Canada in Quebec. It's funny. Saying political comedy is a little redundant but it's a first. I've never done any comedy per se.

I think it's harder to go from comedy to drama than from drama to comedy. Seeing you dramatic all the time, they crave to see you being silly or funny. But, seeing you in comedy all the time, it's hard to see that person go be serious, for some reason.

People have a comic bent or an angularity to their thinking, and those are the people who make jokes. And it's usually people who were in an environment, when they were young, where jokes were at a premium, or at least considered important to a life. My parents always listened to the comedy radio shows, we went to the comedy movies, and my parents appreciated comedy. So kids listen and follow what their parents like.

There's a very interesting article or symposium to be written on just the real difference between comedy filmmaking and non-comedy. Because, you know, when you work in comedy, you depend on audience screenings to tell you about your movie.

Its consistency of what comedy can do and what comedy can be.Growing up with that show [The Simpsons] shaped my worldview.

I never wanted to be a model. I never wanted to be a serious actress. I started off doing comedy. I did a stand-up comedy camp at the Laugh Factory, and I started out on Nickelodeon.

Nihilism in American comedy came along way before 'The Simpsons.' There was a fairly nihilistic point of view to 'Saturday Night Live,' for instance, back in the beginning, and a lot of really dark comedy had a really anti-sentimental take on life.

Comedy can be silly and gross and offensive, as long as there's sort of a point. You can make a joke that, on the face of it, is racist. Ostensibly someone can appear to be racist, but if you know you're making a point about race, and not just being pig-headed, then you can do that. I think some people who don't understand comedy will have a knee-jerk reaction to some stuff, and will always be offended by it because they don't understand it. Some people react to it in a vociferous way, which is unsophisticated, but there's always going to be those people out there.

Comedy and drama are different sides of the same coin. And the thing about comedy and drama is about likability. It's about character first. It's about story. And for me, it's about empathy, and I think the realer someone is, the further you can go either way with them.

Comedy is a funny thing, and it's really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title. You would never go to a club just to see "Live music," you would go to a jazz club to see jazz, a blues club to see blues, etc. But when you go to see "standup comedy," if you don't know the performers material, you really don't have any idea what you're gonna get.

I'm Here All Weak might be the strangest comedy album I have ever heard. But I've listened twice, which is more than I listen to 90 percent of all comedy albums, so I think I love it?

I don't personally feel comfortable performing in a comedy club, mainly because as an audience member, I've never enjoyed that experience. It feels a little bit theme-park-ish to me, in that it's a club whose product is comedy. I find that weird. It's like those specialty chocolate stores, where everything is chocolate. It's too specific. I like going somewhere that specializes in variety.

Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue.

I've always been a big fan of comedy and sketch comedy, and I like to laugh, but you can't just be funny. You do have to work at it, and you have to try to know what your role is and when you can insert humor, or when it's best not to.

The object of a comedy is not to correct morals or ridicule the vices of society; no, a comedy should depict the discrepancies between life and purpose, should be the fruit of bitter indignation aroused by the degradation of human dignity, should be sarcasm, and not an epigram, convulsive laughter and not an amused grin, should be written with bile and not diluted salt, in a word, it should embrace life in its highest significance.

I think there is more comedians now than ever, more venues now than ever. There are stand-ups who live in towns where they don't have many comedy clubs where they are organizing more comedy nights in bars. I just think this is a fantastic time for stand up.

The human comedy is always tragic, but since its ingredients are always the same - dupe, fox, straight, like burlesque skits - the repetition through the ages is comedy.

In terms of a comedy plan I don't really have a list of what I want accomplish. I'm just riding the wave! I think I will always come back to stand-up and comedy in all its forms. I just don't think it will ever be the one sole thing I do.

I think if you turn down the volume on the good comedy, you should not even know if it's a comedy or not. It should look like a drama.

I don't like comedy that I think is bad comedy, where people are trying to be sick for the sake of it, where there's no intellectual point behind it. I like stuff that's got an underlying point of view.

I actually started in comedy, but then after 'Deadwood' I started concentrating on the dramas more. But then I just got tired for raping and killing and figured, 'It's time to do another comedy.

I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.

I was always the Class Clown and over time became very good at it. I started doing comedy on stage at the Dallas Comedy Corner where I honed my skills by watching guys like Garry Shandling, Robin Williams, Jay Lena and more.

The comedy I like the best is comedy I can't do, stuff that doesn't touch my arena.

There's so many variables in comedy. Comedy is not this thing that's a performance like a play. It's really an interaction with every single person in the room. And if there's a weirdness in the room for any people, be it something the comedians did at the top of the set or be it the mixture of the people isn't right, something can go awry. So it's really great to see you proven wrong about someone.

I'm much more a European Italian than I am an American Italian, and I've always felt that that style of acting comedy is in me. I put comedy as much as I can into all my movies, if I can help it.

[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.

I'm proud of everything I've done. If it's comedy, it's 'cause I think it's funny. If it's a drama, it's impactful. I'm leaning towards dramas now because I wrapped a couple comedies in a row. I don't like watching myself, but it's easier on me when I don't have to carry a lot of the comedy. But I enjoy making comedies but dramas come more naturally.

There's a way of doing comedy that feels true to the person doing it, that doesn't feel like clown-work or silly faces and antics, but that feels real - like you're playing a real person who has real thoughts and feelings, and it's very grounded. I started to watch all comedy through that prism.

[Robert Smigel] is one of the greatest comedy writers in the last 50 years. "TV Funhouse" and Triumph and all those sketches.He's really unique, and he has an amazing comedy mind.

One of the great things with comedy is that there's no such thing as a mediocre comedy; it's either uproarious or crap. That's the problem.

A comedy isn't about being funny," said Mrs. Baker. "We talked about this before." "A comedy is about character who dare to know that they may choose a happy ending after all. That's how I know." "Suppose you can't see it?" "That's the daring part," said Mrs. Baker.

I like comedy when its mixed with action, it's just so much fun to do comedy with a bit of action, its fun to watch and also so much fun to do.

If you try to go for a laugh, it's death to the comedy. Personally, that's how I approach comedy. But I'm no expert.

Comedy Central made their own awards show. They were named best comedy channel.

You know, I've just always been sort of goofy and kind of gone with it. I actually usually work more in drama, but I have been floating back and forth with comedy and somehow they keep giving me jobs in comedy, so I guess there's something funny about me.

I do a lot of comedy and I like that. I am happy doing funny films. I am often the straight person in a comedy, which is great as long as there are talented people to work with.

In every case, I find pre-planning noble, but not always that useful in comedy. You know comedy once you're doing it.

I can't watch other people doing comedy. As soon as somebody starts being funny I have to turn off because it upsets me. I get comedy indigestion. I just hate anybody else being funny. That's my job.

What's great about comedy, obviously, is that you set up a situation that people assume one thing and then you break the assumption. That's basically the backbone to comedy. You set up a situation, let people make an assumption, and then you break the assumption.

If you look at any successful skit comedy show, ever, there is that format of introducing you to the player in the beginning, and then going on to see those sketches.

I'd like to play a mixture of Lucille Ball meets Murphy Brown meets Glenn Close on 'Damages,' to keep a little bit of the darkness in there. I like dark comedy a lot.

I got locked into a tradition [at Cambridge] of doing comedy.

For a long time networks just wanted to buy imitations of other shows - i.e. Curb (the Enthusiasm or the Office). The word gets out that "Hey, we want to buy something like that" and every comedy producer just starts dreaming up ideas like that.

I love comedy. I don't approach it any different. I'm not a comedian. I'm not a stand-up. I just do it like a part and personally, I love to watch comedies. If you don't get to do what you like to watch you get frustrated.