Quotes About Kind

Who we are? Us!Right? What kind of people are we? What kind of person are you? Isn't that the most important thing of all? Isn't that the kind of question we shloud be asking ourselves all the time? 'What kind of person am I?

I'm not going to say I'm not a fan, but I'm a fan of house music, essentially, and kind of indie, and I was always into the kind of sub-pop Seattle Mud Honey and Pearl Jam kind of sound. But my kind of big love was house music ever since I was 15/16, going to raves when I was 15 or 16 years old and not going to school, like a naughty boy.

Well, it seems to me that there are books that tell stories, and then there are books that tell truths... The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy endings and all that... But the second kind, they show you life more like it is... The first kind makes you cheerful and contented, but the second kind shakes you up.

Being kind is the most important thing Ive ever been taught. Thats what my parents always told me - more important than ambition or success is being kind to people. The cornerstone of my life. What I aspire to is to be kind.

I kind of grew up a guitar nerd and I tried to figure out how to shred on an acoustic guitar as a kid, while listening to jazz or whatever. So that is kind of a different thing and my church background, growing up with worship kind of the ground that I learned how to play music from. Those are all odd ways of growing up, compared to most people, so I think the music has plenty of uniqueness in that.

I saw bubbling lava, and at the same moment I saw a reflection of a certain kind of inner turmoil. Because at the moment I looked into that crater, I slipped, and a large piece of volcanic rock took a hole out of my leg. The scar is still there 20, 30 years later. But it's one of those things that reminds you of the kind of risk or the kind of moment in order to push yourself.

Honestly, I think it's dumb luck that I'm able to kind of get away doing different types of films in different genres. There's always a tendency to kind of stick with what works, or stick with one particular kind of brand or movie. But so far I've been getting away with it, so I'm going to continue to do that for as long as I can.

Well not really to get attention, but to entertain, but you know to show some elements of rural life as well, it kind of blended all in, its kind of like a mockery in a sense, kind of stab back at people that have those stereotypical ideas of the south.

To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.

Jen came first, and then they wanted to cast somebody that would... Kevin liked the idea of having a kind of The Ghost of That Character kind of haunt the movie in a way throughout, by having Raquel look so much like her. And also, it was sort of serendipity. I mean, she was also the best actress. I mean, as you can see Raquel has a pretty appealing, engaging kind of precocious, sparkly quality that's... it was just luck really that she happened to the film.

It is futile to judge a kind deed by its motives. Kindness can become its own motive. We are made kind by being kind.

Of course we have Queen Elizabeth as head of state, but in many ways we are a kind of republic. We don't have royals in Australia, so it was kind of unusual to run into those kind of people. But aside from that it was quite ordinary.

But whenever I meet dynamic, nonretarded Americans, I notice that they all seem to share a single unifying characteristic: the inability to experience the kind of mind-blowing, transcendent romantic relationship they perceive to be a normal part of living. And someone needs to take the fall for this. So instead of blaming no one for this (which is kind of cowardly) or blaming everyone (which is kind of meaningless), I'm going to blame John Cusack.

Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of über-objective is to make people laugh. You always have to have that in the back of your mind, "Eh, I've got to figure out a way to make this funny."

I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."

I definitely consider 'Poses' - the whole album in fact - to be kind of a miracle. Like the last breath of that moment when decadence is healthy, 'Poses' encapsulates that feeling. It's a kind of song and a kind of album that I'll never be able to repeat.

What I like doing is being a different person. Every character is kind of different. So being able to be that person and then when you leave you're yourself again. So it's kind of weird to be like two different people, and I think that's kind of fun.

The deep-read is when you get gut-hooked and dragged overboard down and down through the maze of print and find, to your amazement, you can breathe down there after all and there’s a whole other world. I’m talking about the kind of reading when you realize that books are indeed interactive. . . . I’m talking about the kind of deep-read where it isn’t just the plot or the characters that matter, but the words and the way they fit together and the meandering evanescent thoughts you think between the lines: the kind of reading where you are fleetingly aware of your own mind at work.

The reason we have the stars twinkle at night is because the light is being kind of blurred by the atmosphere around the Earth. That is why the Hubble Space Telescope is so good, because it is above the atmosphere. So it is kind of like looking at the sun from the bottom of a swimming pool, versus looking at the sun above the swimming pool.

I think once you start as an announcer, you have to decide what kind of approach you're going to have. I decided very early that I was going to be a reporter, that I would not cheer for the team. I don't denigrate people who do it. It's fine. I think you just have to fit whatever kind of personality you have, and I think my nature was to be more down the middle and that's the way I conducted the broadcasts.

I dont really have an office or anything, and I like to have to move location every two hours. So I just kind of write in a park, on a bench, in the library, in a cafe, back to the library, that kind of thing.

We think it hugely important to support young artists, there is a war against that kind of artistry, that kind of creation...When somebody is 19 years old, they're gonna do what they're gonna do just like we did... For me the most important thing was for him to know anytime he can call and I'll come whatever happens.

There is no kind of freedom and liberty other than the kind which the market economy brings about.

For me, coming to a fashion house and bringing my love and respect to it - and, hopefully, earning the love and respect of the house - is the only way to do it. I think of it as my own house in that sense as well. So I like not working from a blank piece of paper. I like that there's something from the past, some kind of identity that I have to work with. There are these good ghosts around, these good energies that kind of reinforce what you do.

And as a result, I guess I'm just kind of a rubberneck. I'm kind of a - someone who likes to see things and likes to see these events and talk to the people who make them happen. But I don't think journalists are as important as the people they cover.

There is a certain kind of pain that can change you. Even the strongest sword, when placed in a raging fire, will soften and bend and change its form... Trust me on this one. I know this from personal experience. I hope that you never will, but, since you're a person, and therefore prone to making horrible, soul-splitting mistakes, you probably will one day know what this kind of guilt and shame feels like. And when that time comes, I hope you have the strength...to take advantage of the fire and reshape your own sword.

At the age of thirty-five, I have just begun to become the kind of person who could understand the kind of book I would want to write.

I'm the original hunter-down-of-fabulous-things. Twenty years ago I sat down and decided that I would create a really wonderful image, an unforgettable image. And now I'm kind of stuck with it. It's like when I don't wear my fringy, gypsy stuff, people kind of look at me like, 'What's wrong?

In an odd way I thought I was lowering the bar for myself, in saying, well, I'll make a pop album. But in a way it's kind of harder to make pop music. It's like the more abstract you get with music, you get into that emperor's new clothes thing, where you can go anywhere, and just claim that your audience may not be prepared to go with you. But with pop music, I think everybody understands the form, everybody knows what it's meant to do. So I would say it's harder to write that kind of music.

If there's no unity in your work, then you've deliberately made yourself into that kind of person. You don't want that unity in your work. You've made some kind of satisfactory arrangement with your culture.

Digression is my passion. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten, and that are kind of surprising. The problem is, how do you pare stories away so that the book doesn't become a distracting jumble of material, and readers lose focus? In my experience, there's really only one way to do that. I pack it all in with the rough draft, then count on myself and my trusted readers to tell me what's good and what's not good.

My laundry list of wants in a partner is basically kindness. I want someone who is kind, and that's kind of where it begins and ends. I'm open to being surprised.

The impulse to create begins - often terribly and fearfully - in a tunnel of silence. Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?

With truths of a certain kind, it is not enough to make them appear convincing: one must also make them felt. Of such kind are moral truths.

Only if you're kind to yourself, can you be kind to others.

Too often students are being taught to read as if literature were some kind of ethics class or civics class—or worse, some kind of self-help manual. In fact, the important thing is the way the writer uses the language.

There's something really sweet about the way he's playing the part and he's kind of irresistible in a way. They're both really lonely. That's kind of established from the very beginning in the movie. The way they meet is just classic, lonely losers.

I have a scar on my left thigh, kind of almost near my knee. I essentially fell in the 2002 Olympics and when I hit the wall - because of the impact - my right leg kind of came in at like a knife-type angle and stabbed my leg with my own skate blade.

When you're on the set, and sometimes, because it's been so complex and the writers have been really writing, sometimes up until the last minute... And you kind of sit back; you separate yourself from your brain, and you say, let me see if you can do this. And that's the kind of challenge I like.

The old jazz singers or old blues singers, you always just saw them kind of sitting down and singing. They weren't worried as much about their voice sounding perfect. They would make the song kind of fit their voice.

What kind of plan B?" Hale asked. He was almost holding his breath when a voice answered, "My kind." Macey tried to read the look on his face then, but it was gone in a flash. It had been a simple moment of peace and joy and pure happiness. That voice made Hale happy. It kept him calm. It was his backup and his conscience. Macey couldn't help herself, she envied him.

You know, we certainly have a great budget on the show, but the expansions to world of the show really arise because, and this is kind of the idea of the premise of the show, where is each week you're kind of meeting . . . It's random access.

If I gave America any kind of hope or any kind of inspiration, I really want to say thank you for allowing me to continue doing that week after week.

Seldom aware of the intricate connection between the patterns of their own lives and the course of world history, ordinary people do not usually know what this connection means for the kind of people they are becoming and for the kind of history-making in which they might take part.

So I want to ask you a hypothetical question. My favorite kind. Next to rhetorical ones. I can nap equally well through either kind.

I'm kind of a purist and I actually just want to be a good player, with that said though... I probably should get a little more involved in that as that's what people are doing and making great songs out of their computer so it's kind of like, at what point does purist become arrogance?

It's strange, somebody asked for my autograph the other day. Because I finished school and I'm not really doing anything at the moment, I was just kind of aimlessly wandering around London and these two guys who were about 30 came up and asked for my autograph. I was really quite proud at the time, and they wanted to take photos and stuff. And then they were sort of wandering around and I was kind of wandering around and I bumped into them about three times, and every single time their respect for me kept growing and growing and growing.

The Constitution of the United States. It's still the best document of its kind, and written into it are exactly the kind of protections that ensure that no person or group of persons, no matter how diabolical or insane, can hijack the country for much longer than a decade.