Quotes About Comedy

Horror is like comedy. Woody Allen's comedy is going to be very different from Ben Stiller's comedy which is going to be different from Adam Sandler's comedy which is going to be different from Judd Apatow's comedy. They're all comedy, but they're all very different types and you can enjoy all of them. Horror is the same way.

Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.

It's very hard to find a good comedy. I prefer doing comedy far over anything else because I think they're actually more profound. But finding a good one and a great ensemble is very difficult to do and I'm delighted that in these particular times there is so much interest in comedy and that comedy is having so much success.

If you're into comedy, you will know what the show is about. We have so many comedy geeks, comedy enthusiasts, fanatical people who go to comedy festivals and follow comedians, and really treat it like rock 'n' roll - which it can be, but more like the geeky rock 'n' roll.

I’m trying to be the Jay-Z of comedy one day. I don’t know if there’s any comedy moguls out there, but I would love to be the first comedy mogul.

For the first actual comedy-comedy I did, I took a comedy class in New York, which was full of slightly unhinged people. It was a pretty depressing crowd, very angry and strange people. But then I took a class at the Upright Citizens Brigade and I loved those people.

As a writer, I haven't delved into dramatic writing. As an actor, I could always, even more so than comedy, do drama. When you do your comedy and your drama, your acting style doesn't change. If it's a comedy, the situations and the characters might be a little funnier, but you're just trying to be honest.

I really like people who can do both drama and comedy and not some like middle of the road do both drama and comedy. I'm not talking about some guy who does these bland dramedies all the time. I'm talking about people that have done heavy drama and who have done heavy comedy.

British comedy - which has been a big inspiration to me for many years - is very different to Australian comedy and different again to American comedy.

Well, for me, it's the relationship between comedy and life - that's the edge I live on, and maybe it's my protection against looking at the tragedy of it all. It's seeing life in balance. Comedy and tragedy co-exist. You can't have one without the other. I'm of the school that anything can be funny, if seen from a comedic point of view.

The interesting trick of comedy, in a lot of ways, is to have both the comedy and the grounding of the real thing. You get a real sense of a human being.

Do it [stand-up comedy] because it feels like the right thing to do. Do it because you don't want to do anything else. There is something in you that does not want you to do anything else other than comedy.

I'm a huge romantic comedy fan and have been in this business for 17 years and I think for all 17 I'd hoped and dreamed and wished to some day be in a romantic comedy myself.

Comedy always pushes some buttons, because it wouldn't be comedy if it didn't.

And what could be a hotter ticket than the improbable triumph of 'The Book of Mormon,' the musical-comedy moon shot of the season? Its creators, Matt Stone and Trey Parker, of Comedy Central's 'South Park,' are the most unlikely Rodgers and Hammerstein team ever to bowl a thundering strike.

Between birth and burial, we find ourselves in a comedy of mysteries. If you don't think life is mysterious, if you believe you have it all mapped out, you aren't paying attention or you've anesthetized yourself with booze or drugs, or with a comforting ideology. And if you don't think life's a comedy - well, friend, you might as well hurry along to that burial. The rest of us need people with whom we can laugh. -Odd Thomas -Odd Apocalypse by Dean Koontz pg 30 chapter 4

We all know what tragedy is. "Yes, I'd rather not have any more tragedy, please. I'll have comedy, please." Comedy, in the Greek sense, only means that it has a happy ending.

I would love to be able to play anywhere, but to me the sweet spot is clubs and theaters, just because I feel like you lean in to tell a joke. You don't back up. Comedy lives in that area. I've played amphitheaters, big clubs, and pool halls, and the most fun rooms hold anywhere from 500 to 2,000 people. That intimacy is where comedy really lives.

In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.

I've always been a big fan of comedy and sketch comedy, and I like to laugh, but you can't just be funny. You do have to work at it, and you have to try to know what your role is and when you can insert humor, or when it's best not to.

If there's anything I hate more than a stupid action comedy, it's an incompetent stupid action comedy. It's not so bad it's good. It's so bad it's nothing else but bad.

Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.

Every time I think about writing, comedy doesn't interest me in the slightest. I can play comedy, but I don't think in terms of comic dialogue.

Comedy is a live art, and the only way to record a comedy rock album is to do it live. The audience and their laughter is just as much a part of the album sound as our music. No retakes, no room for error.

It's easier to do comedy with an audience, because their reactions tell you whether or not what your saying qualifies as comedy.

That's one of the things about comedy that annoys me the most from a comedian perspective. Comedy has gotten so segregated. Now it's like if you don't agree with somebody, you probably aren't going to like their jokes. I think comedians are starting to write for their audience and not towards the country.

Some people learn comedy, and some people just are comedy.

When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors. For me it's important making that transition seamless, and not a huge shock and jumping into cold water. It doesn't feel like I'm trying to shock you or anything. I'm just saying, "I'm a different actor than you thought I was. Don't put me in a box. I'm not just some kid running around screaming curse words." I have other tastes besides comedy. I love comedy, but I love dramatic movies just as much.

I have other tastes besides comedy. I love comedy. I adore it, but I love dramatic movies just as much.

I think that you take the path of least resistance. And for a lot of people comedy is that path. I mean, even against mainstream, it's easier to sell a comedy than a drama.

I don't necessarily know much about comedy, I don't spend a lot of time watching it. Mainly because all my life for about 50 years I've had comedy.

I do an act, and I've been doing an act for 50 years. I do a variety show, which is a musical comedy show. I do comedy, and I do singing, Broadway show tunes and different songs that I like. Been doing it for many, many years.

I'll probably stick to comedy for the time being. I mean, a great piece of work is a great piece of work, and I'm up for good work anytime. But I do love comedy!

I don't want to make a style. Not tragedy, not comedy. Life is a mixing of all kind of things: comedy and tragedy going together.

I love bad comedy more than I love good comedy, so I love open mics. Or I used to. But the thing that delights me more than anything else in an open-mic performer is when the comic has one joke that requires some kind of prop. But only one. The prop is always produced very awkwardly, and it never, ever pays off. The resulting embarrassment is savory and delicious.

I worked mostly in television drama for my first few years. I just kept guesting on NYPD Blues and CSI-like stuff, so when I started getting work in comedy, a lot of people in the business would say, 'Oh - I didn't know you did comedy.'

You've got to realize that when all goes well, and everything is beautiful, you have no comedy. It's when somebody steps on the bride's train, or belches during the ceremony that you've got comedy!

When you start doing comedy, you think to yourself, "I want to be a headliner." And you become a headliner, and you're like, "Oh wait, this isn't what I meant. I meant I want to be a headliner that's famous enough that people come see me specifically." And that's a huge leap, because most of the time most of the audience is there to see comedy in general. They're not there to see you.

The only difference between comedy and drama is that, in comedy, I'm going to utilize the tool of creating laughter to deflect discomfort and, in drama, I won't use a tool, but we're going to actually deal with the discomfort and see what comes out of it.

And you know, whether it's drama or comedy, the best work is based on truth. It's just that, with comedy, the circumstances are just crazy-heightened, and you have these crazy things thrown at you. But you still have to do it truthfully, because that's where the humor comes from. So it's not that difficult to cross over.

Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like, 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy.

The population increasing, some of it could be in countries we haven't thought of making art in. I've never entertained making comedy in China. Like what world is that? I don't know how they would perceive art or sketch comedy. It's not a matter of intellect; it's a matter of language.

I like comedy, not violence, but violence is making a lot of money. But comedy is what I like.

I've always taken a lot of cues from comedy minds. The guy that discovered me in the very beginning was Joseph Cates. Joe and Gil Cates were the Cates brothers. Gil produced the Oscars for many years. Joe produced a lot of comedy specials, Steve Martin specials, and he discovered me, this 18-year-old kid.

Everybody grows up with comedy. I mean, Egyptian comedy has a very, very old tradition. Our theater and our movies are just, like, amazing.

Comedy Central made their own awards show. They were named best comedy channel.

We're taking part in a divine comedy and we should realise that the play is always a comedy, in that we're all ultimately ridiculous.

I had always been - everybody kind of likes comedy. I was very interested in comedy, beyond just liking it. I had friends that took apart radios; I wanted to take apart jokes.