Quotes About Funny

I thought my family was really funny. Everybody in my family was funny. My mom and dad both have great senses of humor and really saw the funny in stuff, so I think that's probably where it came from. I always try to see the funny in things.

I just hate the whole idea of labeling anything as a comedy. If you tell me something's funny, I'll want to rebel against it. When I go to a bookstore and see books categorized as humor, I get furious. Don't tell me that a book is funny. Let me decide if it's funny. It's the same with sitcoms. You call something a sitcom and people expect it to be funny. And that ruins everything.

My sons the same, hes terribly funny. Its a wonderful power to have. Its also fantastically disarming. Women find it unbelievably disarming. You can say the most astonishing things if youre funny. You can tell a woman that shes irresistibly attractive, but do it in such a funny way.

I've never set out to write a funny movie or be a funny comedian as a woman. I am a woman. I don't really have a choice in the matter. My goal is just to be funny.

Some people are funny, and some people are not funny. Many people who are not funny can make a living at it. You don't have to be great to make a living at it. Just like a doctor who doesn't have to be great can still make a living out of it.

I'm not funny. People assume that because my books are funny, I'll be funny in real life. It's the inevitable disappointment of meeting me.

I think anyone who's perfectly happy isn't particularly funny. And when you're very, very happy, you're not very funny. You're just happy. I'd rather be damaged and funny.

One of the things that is always difficult about a collaboration is that you don't necessarily find the same thing funny. And so the challenge becomes, how do you tell the other person that you don't think something's funny? The best collaborations tend to be when you are willing to be told that. But there's also ego involved, and so there's a lot of frustration in knowing that you're writing something, and the other person, on some level, needs to think that it's funny.

Now I'm just like everybody else, and it's so funny, the way monogamy is funny, the way someone falling down in the street is funny. I entered a revolving door and emerged as a human being. When you think of me is my face electronically blurred?

Movies these days have made killers into funny people. What's that all about? I've got kids and family and friends, and I don't like bad things. I don't think they're funny, and it's irresponsible to make movies that don't show you how that's not good.

Then with Lucy [Hale], her little thing that I kind of learned from her is her country music because she’s obsessed with country and at the beginning, I wasn’t a huge fan of it, but I was listening to some songs that she plays in the hair and makeup room and she’s also so funny, too. She does these character impersonations and they’re just so funny. Made up characters of course, but she can switch into someone else so fast. I’m always laughing at Lucy and she’s like a little Polly Pocket, you know? The tiny one.

I was funny -- ha-ha, not peculiar. It was a modest currency, like pennies: pedestrian, somewhat laborious, but a currency nonetheless. I was funny, in public, most often at my own expense.

Addiction has had such an impact on my life and the people I love, and there really is not a lot about it that is funny. So the last thing I wanted was to give the impression that it’s all fun and games, and isn’t it funny what she gets away with.

I was funny around my family. My family, they're pretty funny, too.

Comedy is not commercial; it is risky, because what is funny in one place isn't always funny somewhere else.

In a funny way, acting, to me, is all make-believe, even if the film has unicorns in it or is a normal movie that can be set in real-life time. I'm still imagining that I'm a different character, so it's all, in a funny way, like fantasy.

To me, the musical is best when it's a musical comedy. So if you have a very, very funny show, and very good, funny songs, that's what the musical does best.

I'm an unorthodox type of guy, a funny guy - at least I think I'm funny. And one of the things I like to do is come up with nicknames for myself.

I'm not a naturally funny man. I find that I can only be funny, if I become someone else.

The trick is always to write in pairs because if at least two people find it funny, you've immediately halved the odds of it not being funny.

When I read a script, I have to see the funny, and if I can see it's funny, it helps me to be able to transmit that.

There's two types of hecklers. If someone says something really funny it's normally them heckling as part of the show. They're trying to add onto one of your jokes. If someone says something really funny, I've never seen a comedian abuse them, you always sort of tip your hat a little bit if they nail it.

I think my sense of humor is really dark and super twisted and stuff like that. It's like, "Is this a funny joke for real? Or am I just rich?" See? That was funny.

A fellow who has a funny bone can learn to hone his skills, but I don't think you can develop a funny bone - you either have it or you don't. And by the way - when you get it, we don't know it.

There are two ways to tell the story. Funny or sad. Guys like it funny, with lots of gore and a grin on your face when you get to the end. Girls like it sad, with a thousand-yard stare out to the distance as you gaze upon the horrors of war they can't quite see. Either way, it's the same story.

There are just so many funny kids and teenagers. They're just not aware of how funny they are.

I got into trouble a lot in school. They say you're a disturbance in class. You're a distraction, they're moving you around. You never really get rewarded in class for being funny. You're a disturbance. But the funny kid is often witty and clever and quick... they finally get a chance to express themselves when they get out of school.

No, no, I was only funny on stage, really. I think I was funny as a person toward my classmates when I was very young. You know, when I was a child, up to about the age of 12.

My wife is funny. And I dabble in it. So being funny is big around our house. But what's surprised me is my daughter can do an English accent. I don't know how she learned this.

Working with Robin Williams, what can you say? He's the best of the best. What I really liked watching was, not only is he incredible funny, probably the funniest person on Earth which is a tough award to give out, but to see what it really takes to be a huge star is way beyond a good partner being extremely funny.

Laughter... is like a hurricane: once it reaches a certain point, it becomes self-feeding, self-supporting. You laugh not because the jokes are funny but because your own condition is funny.

When I see something, I know why something's funny or seems to be funny. But in the end it's just another picture as far as I'm concerned.

Every once in a while you definitely have to film someone for half an hour saying something that you do not think is funny because for the previous two hours they said a bunch of stuff that you think is really funny.

I think with Sky and BBC Three and Channel 4, there are some great television platforms, and the stand-up movement in this country is phenomenal. Its like rock'n'roll here. Britain's a funny place and there's a lot of funny people coming out of there and a lot of people are finding mediums to express themselves.

You can be zany and funny or you can do something that really has some depth to it and serious, so there's many different colors to paint with. I would hate to get trapped in one little thing. I always feel like funny is an appendage, but it is not my whole body.

That's what's interesting about people. It can be funny, but when [John] Travolta got there and did [comic moments] you're like, "Oh! This is really funny." Or when Karen [Gillan] and Taissa [Farmiga] do something, I'm like, "This came out so much funnier."

I figured if I could put together being funny about stuff and actual events, maybe I could do something that wasn't being done much. Because the reporters that I met out there were funny, and they had hilarious stories that just didn't fit in the AP/UPI/New York Times foreign-correspondent style. They couldn't use the things they had. But I could.

It is fatal to let any dog know that he is funny, for he immediately loses his head and starts hamming it up.

Sometimes I'll say, "I wrote that book," and the person will look at you as if you're really strange. One time that happened to my daughter on a plane. She was sitting next to a girl who was reading one of my books and my daughter said, "My mother wrote that book." And the girl started to quiz my daughter, asking her all sorts of questions, like what are the names of Judy's children and where did she grow up. My daughter thought it was so funny.

It's funny, because I don't think of my films as "slow-burn." I don't even know if I was familiar with the phrase until people started labeling me with it.

Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.

It's funny when I look at my life; my primary school was two-thirds male to one-third female. So I started my life that way. I have two brothers. And when I did Harry Potter, the ratio was more often than not, at the very least, one-third female, two-thirds male.

I don't really approach stories to make them different from other stuff I've seen, I just try to get into the character, into his or her head. Try to make it as funny, as scary or as wild as I can so that I really like it.

Bush, Blair and Rumsfeld; they are the funny trio.

I'm a cat person. I have two giant cats [Harry and Arturo] that I call the small panthers. They're like 17 pounds each-they're big boys! Every photo on my phone is of them doing something funny.

When a monkey nibbles on a weenis, it's funny in any language.

Sometimes I can't believe I'm going to be 60. I always say there's no point moaning about getting older, when there's nothing you can do about it. But still, I do find it quite funny. I look at that number, 60, and I think, really? Me?

I just think it's really funny and entertaining. I mean, I don't necessarily take them really seriously - I don't even think a lot of really good films get seen. But I don't think that's what it's about. I mean, how amazing was Ellen Burstyn in Requiem For A Dream ? Especially as she was acting with herself most of the time. I don't understand how a performance like that can't win. I was so affected by that movie that I had to turn it off. I felt as if I was on drugs and my heart was about to leap out of my body.