Quotes About Clubs

I know the questions will be around the money, the amount Chelsea had to spend to bring him here but that's the reality of modern football. Big teams only want big players, big players are in big clubs, big clubs want to keep their big players.

How many of them were there?' Her voice wasn't joking around. Eighteen. Hundred.' Four,' Blaylock interjected. 'An honor guard of four.' What did they work you over with? Those bruises on your thighs are severe?' Crowbars. Big, massive-' Blay cut in. 'Clubs. Had to be those ceremonial black clubs.

Give me golf clubs, fresh air and a beautiful partner, and you can keep the clubs and the fresh air.

Clubs are so lame. Nobody even dances at these clubs. They stand around and get drunk and they schmooze. There is no enjoyment factor.

I strongly recommend that students with autism get involved in special interest clubs in some of the areas they naturally excel at. Being with people who share your interests makes socializing easier.

I liked playing in small clubs. I really liked holding the attention of thirty or forty people. I never liked the roar of the big crowd.

It is like sitting in a traffic jam on the San Diego Freeway with your windows rolled up and Portuguese music booming out of the surround-sound speakers while animals gnaw on your neck and diseased bill collectors hammer on your doors with golf clubs.

I've always liked Atlanta. And not just for the strip clubs, but the shopping and the food.

I say it with my tongue firmly planted in cheek but there's truth to it - being a comedian is very close to being a therapist. When you're working smaller clubs, you're listening. You're feeling an energy, you're going with a tone but when people start yelling out, you almost start a conversation with people.

I started working at clubs when I was sixteen, which is young. I would not want my kid doing that, but I did, and that's how it went.

I'm not really into clubbing, I like to go to parties after events, and those do end up at clubs or bars. But in my free time I go grocery shopping or to the gym, or I talk on the phone.

I'm straight, but I love going to house music clubs and flirting with women and gay men.

The whole world is in revolt. Soon there will be only five Kings left--the King of England, the King of Spades, The King of Clubs, the King of Hearts, and the King of Diamonds.

I think it's going to open up a wider place for a discussion about we ought to come together in our churches, in our neighborhoods, in our work places, in our clubs and our networks. I think it'll be more acceptable to talk about it. We'll see what happens. It'll take some time. But I think it will.

I love the DJ scene out in the clubs. It is a great way to party and make people happy, the atmosphere is one that I use as an escape from reality.

Getting a gay fan base is slow. I think if I were able to reach more gay people they would love it. I can't get the songs in their ears. I love my gay family. I just wish I could reach more of them. I'm in this car going from club to club but they're not gay clubs.

Sober strip clubs are horrible. When you are sober you see the matrix code behind a strip club. You're paying girls to pretend to like you until you run out of money so they can walk away.

I tell young girls, "The world is going to exploit and manipulate your sexuality. If you benefit from that financially, then you are part of the problem." That said, I thought all those parents flipping out over the Video Music Awards were ridiculous - women have been twerking in clubs for 20, 30 years. There's a real lack of awareness about what's going on across many layers of our culture.

I go to goth clubs dressed as a frat guy so I can stand around and look terribly uncomfortable. At frat parties I do the same thing, but the other way around.

The law don't like jazz clubs. No one wants anything to do with that kind of trouble.

The world that I come from is the world of raves, hip-hop clubs, and rock and roll.

Disco is the first technology music. And what I mean is that 'disco' music is named after discs, because when technology grew to where they didn't need a band in the clubs, the DJ played it on a disc.

The electro scene is all over the clubs now: groups like Duck Sauce, Empire of the Sun, even MGMT. But I get inspiration from everywhere. I'll go to the gym and put on old albums - Guns N' Roses or old Jay-Z.

I did 'Formula 51' because I got to run around Liverpool in a kilt, with golf clubs.

I never did anything for free. Other than dancing in clubs. I give that away for nothing.

I don't like to go out to clubs, because I find myself seeing remnants of drugs in the bathroom.

People bring camera phones into comedy shows and clubs and concerts, and sound bites never come out right.

Things are very different now because a lot of those little clubs don't exist. In Soho for instance, where nearly half my nightlife photographs were taken, it's rapidly changing. There isn't the same after dark frisson of excitement about the place any more.

Isn't that interesting. All the book clubs. I've never belonged to one.

I started doing stand-up at the age of 20. This was back in 1976, around the time (coincidence?) that the first comedy clubs were starting. The young comedians of today gasp when I tell them how many shows I did that first year: 500. Five nights a week.

I think there is more comedians now than ever, more venues now than ever. There are stand-ups who live in towns where they don't have many comedy clubs where they are organizing more comedy nights in bars. I just think this is a fantastic time for stand up.

Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.

I may be known as the girl who was sunbathing topless with a Prince but Jordan is known as that thick girl who always falls out of clubs drunk. I know which one I prefer.

It's been the same since caveman days, this game of love - they just changed the trumps from clubs to diamonds.

I always really enjoyed our early days, before we got too famous. We used to play clubs and that kind of stuff all the time. And it was fun. It was good because you get to play and get quite good at the instrument. But then we got famous, and it spoiled all that, because we'd just go round and round the world singing the same 10 dopey tunes.

Life in clubs is no paltry sign of the times we live in. Here gentlemen gamble with others whom they would not dream of inviting to their homes.

But between sets I'd sneak over to the black places to hear blues musicians. It got to the point where I was making my living at white clubs and having my fun at the other places.

The majority of people imagine a chess master as being a townsman who passes his life in an atmosphere of smoke and play in cafes and clubs: a neurasthenic individual, whose nerves and brains are continually working at tension: a one-sided person who has given up his whole soul to chess.

Comedy clubs were something that came to pass in the '80s, but toward the end of that, in the early '90s, people started doing comedy again in alternative spaces.

I was producing demos for a band that was called Physical Ed. Out of production of demos I went and did a few jam sessions with then in Northern California clubs, but I never actually toured with them.

When I was growing up in comedy, there were maybe 10 comics in the whole country. Everyone had a day job. You worked free for years in little clubs, then you got your big break and became a star.

So many groups fail because they spend all their time in the clubs. Work pours in and they can't handle it because of late-night drinking.

I sat in at every club in New York City, jamming with musicians, because it felt right - and because it felt right and we were having fun - the people dancing and sipping their drinks in the clubs felt it too and it made them smile.

Always continue to perform no matter what or where the activity is: local theater, regional theater, local clubs or coffee shops. Continue to play the guitar or your instrument and always continue to progress or otherwise you will fail.

If I'm going to make music for the streets or the clubs or whatever, I go at it with 110 percent.

See, I don't like places where people can't dance - don't like clubs or theatres where a bunch of bourgeois people sit around tip, tip, tipping their fingers.

You bet I arrived overnight. Over a few hundred nights in the Catskills, in vaudeville, in clubs and on Broadway.

I love people-watching at the clubs in Los Angeles, where girls make fools of themselves and guys pay thousands of dollars for a couple of bottles of vodka just so they can get a table. It's quite a scene.