Quotes About Funny

Thery're both iron, isn't that funny?" "Funny haha or funny strange?" James handed them back to me "Funny 'occult'" "Ah. Funny strange" James looked at me sternly, "Don't start that. I'm supposed to be the humorous one

My sons the same, hes terribly funny. Its a wonderful power to have. Its also fantastically disarming. Women find it unbelievably disarming. You can say the most astonishing things if youre funny. You can tell a woman that shes irresistibly attractive, but do it in such a funny way.

There's always a source for humor [in politics]. If it's inappropriate to write about, if there's nothing funny about it, then it's not funny. So it sort of selects itself. It has to. And plus, often something that wouldn't be funny at the time is okay to make jokes about later.

He's a jokester, and that's funny, very funny. Ha-ha. Very funny.

One of the things that is always difficult about a collaboration is that you don't necessarily find the same thing funny. And so the challenge becomes, how do you tell the other person that you don't think something's funny? The best collaborations tend to be when you are willing to be told that. But there's also ego involved, and so there's a lot of frustration in knowing that you're writing something, and the other person, on some level, needs to think that it's funny.

Comedy is probably a lot harder for me. Maybe it's because I've been doing drama for so long or maybe it's because... you don't want to search for a laugh; you can't try to be funny, you just have to naturally be funny or be in a situation that's funny.

Writing is such lonely work that I try to keep myself cheered up. If something strikes me as funny in the act of writing, I throw it in just to amuse myself. If I think it's funny I assume a few other people will find it funny, and that seems to me to be a good day's work.

Comedy isn't really something where you get discovered. You can't network your way to being funny or talented. It's not hard to get seen if you're funny. If you're funny, talented, and work hard, you will go somewhere.

I don't really hashtag things. Unless I'm talking to somebody and I'm being funny and I say something mean but then I'm like, Hashtag...something that's funny. I like to only hashtag funny things, not real stuff.

Race makes things funny. A black guy driving in NASCAR: not funny. A black guy driving a car sponsored by Tide: not funny. A black guy driving a car sponsored by Aunt Jemima: hilarious.

I want to be funny. When I first started writing, I didn't find my stories funny, but people kept saying they were. It kind of worried me; these are some pretty disturbing and sad pieces. Why do people think they're funny?

I read "Pride and Prejudice" [by Jane Austen]. I was gobsmacked by it - it's so funny and so modern. Unbelievable. You don't expect funny to come through after 200 years - humor doesn't transcend decades, let alone centuries.

I think there's a lack of really, really good funny scripts out there that work on all the levels that they're supposed to - which is to say that they're not just funny but they have interesting characters that people are going to like and be invested in. I've done a bunch of movies that haven't worked but I like to think I've done some that have worked and that's because not only is the comedy there but the characters and storylines are interesting. The characters are real and relateable and people were invested in them.

I have funny bones. If there's ever any kind of tension, I'll always be the one to try and be funny to loosen things up.

I got me a fine wife and I got me old fiddle, when the suns coming up I got cakes on the griddle. And life ain't nothing, but a funny, funny riddle.

When you're doing comedy, it is so subjective. What is funny to you is not funny to another person. What is dirty to you is not dirty to the other person. Comedy is one of those things you throw against the wall and see what sticks.

Trying to be funny is one of the hardest things on the planet. I think that's tough for everyone. If you're just naturally funny it's a hell of a lot easier.

When a man plays a woman in a dress, you're halfway there. It's inherently funny. When a woman plays a man, for whatever reason, it's not that instant kind of funny.

As an actor you get categorized by other people, but it's not like I arrange myself into comedy mode or serious mode. If it's good writing you just have to play it true - if it's funny, it's funny. But obviously you don't want it to be amusing if you're playing Hedda Gabler!

We all know how funny Morrissey is. Actually, you know what? I say that sarcastically. His songs are some of the funniest songs I've ever heard in my life. I mean, really. I mean, not that the "Girlfriend in a Coma" is, like, really funny.

It's crazy because people expect you to be funny all the time and every day is not a funny day. I go to funerals and people are like 'tell a joke' and 'say one of your lines in a movie.' It's a funeral, man!

Even when I was on Curb Your Enthusiasm I wasn't this "over-the-top" crazy character. It was still kind of play it straight but it was funny because the situation was funny. That's kind of how I portrayed things and I like dramas; I like to be able to - because in dramas you can laugh and joke and still be serious, be real. I like the realism of them.

There are really funny alternative comics and really funny straight comics who write and perform traditionally.

The thing that struck me is so many people that said, "Hey, I've been watching you since I was 12, and I'm 25 now." It was a weird shift, because you start off fighting for an audience based on doing something so strange that only you find funny, and it's weird when other people find it funny. Those people aren't always ready to laugh yet, and there's a sort of standoffish quality to it.

When I read a script, I have to see the funny, and if I can see it's funny, it helps me to be able to transmit that.

You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.

But the main thing I don't want to be is un-funny. That's really the mandate. Just whatever we're doing, make it as funny as we can possibly make it. And believe me, if the show starts going down, we'll introduce a baby. We'll do everything that they did on `Family Ties.' I'm not afraid of that.

A fellow who has a funny bone can learn to hone his skills, but I don't think you can develop a funny bone - you either have it or you don't. And by the way - when you get it, we don't know it.

People are always surprised that I have a funny side because I'm usually so intense, strong and dramatic. But, I'd love to do something really, really silly and funny.

What we set out to do with this movie [Leaves of Grass] was to create something that was funny and serious and had large tonal ambitions. A movie that could be poignant and funny, and suddenly quite violent. To have a character utterly sideswiped, and to learn that life is about balance.

I think what it is is, if you're in school and you're not that bright or good-looking or popular or whatever, and one day you say something and someone laughs, well, you sort of grab onto it, don't you? You think, well I run funny and I've got this stupid big face and big thighs and no-one fancies me, but at least I can make people laugh. And it's such a nice feeling, making someone laugh, that maybe you get a bit reliant on it. Like, if you;re not funny then you're not...anything

I'm funny because I'm funny. And there's more to offer.

Its really irritating. Even people who like my work sometimes come up to me and say, I usually dont like female comedians, but your material is great! It makes the job prospect more daunting. Funny is funny, you know?

If you were half as funny as you think you are, you'd be twice as funny as you are now.

Being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in.

In order for comedy to be funny you have to play the truth of the moment. But if you're not being completely truthful to the basis of the character, its not going to be funny.

If you keep yourself alive and current, funny is funny.

When something is truly funny, it's funny all the time.

We live in a funny time, a funny era, when desire, to be adult desire, has to be conceived as sexual. And that didn't used to be the case. Sexuality is a social construction as much as anything else and I think the realities of sexuality don't always fit into the social constructions that we have, and we live in a goal-oriented time - on all fronts.

I like to smoke, and when you smoke, things become less serious and you find the funny in things. So, even movies that aren't funny, they end up turning into comedies to me.

I got to play a funny part [in the The Master Of Disguise]. There was one thing my character did that involved flatulence and laughing at the same time - that was in the script - and that was basically what sold me on it. I really thought, "This can't help but be funny." And when I saw the film, I was proud that I'd had those moments.

I think the role of comedy in your life should supersede anything and everything negative. Just by virtue of the fact that you have to be funny, you can't afford to focus on the negative. As a comedian, your challenge is to turn negative stuff into positive energy. You should be able to hear anything that sounds bad, that people normally wouldn't laugh at, and make it feel funny to you. No one should be able to deter you, once you have your mind set on comedy. Your survival as a comedian should be as natural as breathing. I need to breathe and I consider my career my air.

To this day, I've found that it doesn't matter what a guy looks like if he's really funny. His sense of humor makes him attractive. On the other hand, you don't hear men saying, 'No she's not pretty, but is she ever funny!'

I think it became blurry because I grew up in a very private family. I mixed privacy and secrecy up somewhere along the line. Everything became a secret, and I thought that was how you should live. Lying about everything. The mask I put on as a kid to survive was the funny lady. Then the funny person all of a sudden became harder to do without substances. Substances let me keep the mask on longer. Until it doesn't work anymore and you're just a mess.

"Let us find the dam snack bar," Zoe said. "We should eat while we can." Grover cracked a smile. "The dam snack bar?" Zoe blinked. "Yes. What is funny?" "Nothing," Grover said, trying to keep a straight face. "I could use some dam French fries." Even Thalia smiled at that. "And I need to use the dam restroom."... I started cracking up, and Thalia and Grover joined in, while Zoe just looked at us "I do not understand." "I want to use the dam water fountain," Grover said. "And..." Thalia tried to catch her breath. "I want to buy a dam T-shirt."

I think it's possible - perhaps even necessary - to find comedy in any war. I mean, look at the brilliant work which was done by Joseph Heller and Richard Hooker (M*A*S*H) and Jaroslav Hasek (The Good Soldier Svejk - which I haven't read, but have heard was funny).

Sometimes I'll say, "I wrote that book," and the person will look at you as if you're really strange. One time that happened to my daughter on a plane. She was sitting next to a girl who was reading one of my books and my daughter said, "My mother wrote that book." And the girl started to quiz my daughter, asking her all sorts of questions, like what are the names of Judy's children and where did she grow up. My daughter thought it was so funny.

It's a funny thing about mothers and fathers. Even when their own child is the most disgusting little blister you could ever imagine, they still think that he or she is wonderful.