Quotes About Comedy

I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.

I thought if I could do stand-up comedy well enough, I could parlay it back into films - like Charlie Chaplin and Woody Allen did. They merged principles of comedy and drama together, and that's what my first film really was, a stab at that kind of comedy.

I mostly, for someone who makes a lot of their living in comedy - and even for someone who doesn't make their living in comedy - I don't watch a lot of comedy.

I love straight-face comedy or relatively subtle comedy. And then I turn around and I find myself doing very broad comedy but it's all fun and you have to keep your sense of humor and not take yourself seriously.

British comedy - which has been a big inspiration to me for many years - is very different to Australian comedy and different again to American comedy.

I feel more comfortable in drama. Comedy's is a high-wire act. I find it stressful. It's a precision science, in a way. And when you're filming, the thing comedy depends on becomes a much more difficult commodity. The thing you depend on is spontaneity.

I never wanted to be a model. I never wanted to be a serious actress. I started off doing comedy. I did a stand-up comedy camp at the Laugh Factory, and I started out on Nickelodeon.

The crooks downtown figured out that comedy is like a hammer. It can put up a barn and it can knock down a wall. So they bought it outright and marketed it as Comedy Central.

I like all kinds of comedy. I like comedy that doesn't talk about real beliefs or serious thoughts, but then I also like the stuff that does. I think it just depends. It's a completely personal choice.

I think the reward for doing comedy is doing the comedy itself. You get to go to work everyday and laugh and make other people laugh and to me there's no greater reward than that.

I don't think it's good when entertainment tries to proselytize and I don't think people ultimately want someone showing up in their living room and just hectoring at them all day long. But if you can create a space where people are caught up in something - whether it's a drama, a comedy, a romantic comedy, or science fiction - that's when people give over their minds and allow their emotions to flow.

A comedy isn’t about being funny...a comedy is about characters who dare to know that they may choose a happy ending after all.

Comedy can be silly and gross and offensive, as long as there's sort of a point. You can make a joke that, on the face of it, is racist. Ostensibly someone can appear to be racist, but if you know you're making a point about race, and not just being pig-headed, then you can do that. I think some people who don't understand comedy will have a knee-jerk reaction to some stuff, and will always be offended by it because they don't understand it. Some people react to it in a vociferous way, which is unsophisticated, but there's always going to be those people out there.

Katey Sagal, you are an incredible actress. You worked on ‘Married with Children,’ the show that changed comedy, ‘Sons of Anarchy,’ the show that took comedy to a whole new level and ‘8 Simple Rules,’ the show that killed John Ritter.

It's an unknown quantity. It's actually almost a cliché to say it, how hard comedy is. What's that famous quote? "Dying is easy, comedy's hard." I think the broader it gets, if you miss by a millimetre, you've missed completely. It's a very hard thing to do.

I'm a huge romantic comedy fan and have been in this business for 17 years and I think for all 17 I'd hoped and dreamed and wished to some day be in a romantic comedy myself.

It may have been a comedy, or it may have been a tragedy. It cost one man his reason, it cost me a blood-letting, and it cost yet another man the penalties of the law. Yet there was certainly an element of comedy. Well, you shall judge for yourselves.

Some comics are in it for what they can get out of it. Others are in it for a love of comedy. I think those that are in it for a genuine love of comedy find each other within the circuit and become friends.

I'm Here All Weak might be the strangest comedy album I have ever heard. But I've listened twice, which is more than I listen to 90 percent of all comedy albums, so I think I love it?

You know, sometimes I worry, you know, is comedy and my type of comedy going to get stale? Is it going to be so offensive that it becomes uninteresting or so niche that I don't have an audience anymore? But it keeps getting bigger and bigger and bigger, where roasting now is a movement. These roasts are on in India, in Mexico.

The fact is that comedy is actually too serious to be taken seriously. It may be that comedy touches such deep emotions that people feel better if they can just dismiss it as trivial. Just take a big belly laugh. I have watched people laughing, and for a moment they look-and are-absolutely helpless. Vulnerability. You can be assaulted while you are laughing.

Comedians have varying levels of training. It can range from classically trained actors (like Robin Williams) to people who took comedy classes to folks who just started doing it. That's the beauty of comedy: it's close to a pure meritocracy.

I've always been a big fan of comedy and sketch comedy, and I like to laugh, but you can't just be funny. You do have to work at it, and you have to try to know what your role is and when you can insert humor, or when it's best not to.

I think comedy is an angry art form; it's an outsider art form. Anger and comedy are really connected. If I'm angry about something I will try to think about something funny about it to lighten the load of the anger and cope with the anger.

Comedy can reach many more people than, say, a serious lecture on the topic. And comedy might just be the access point to reach people who want to be entertained and also learn something.

I love watching audiences scream. I imagine it's the same joy that a director feels who has made a comedy when he or she is sitting at the back of a theater listening to the audience laugh. That sound of laughter is so sweet to a comedy director and that's exactly how a horror film feels when you hear the audience scream.

I don't really know what 'selling out' is exactly. I would sell out if I could, but nobody's buying it. I would love to go mainstream, but my comedy is too edgy. It's always too dirty. It's always too filthy. I'm dying to sell out. But I love doing comedy, I love touring, and I think I would do everything for free.

When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors. For me it's important making that transition seamless, and not a huge shock and jumping into cold water. It doesn't feel like I'm trying to shock you or anything. I'm just saying, "I'm a different actor than you thought I was. Don't put me in a box. I'm not just some kid running around screaming curse words." I have other tastes besides comedy. I love comedy, but I love dramatic movies just as much.

I'm much more a European Italian than I am an American Italian, and I've always felt that that style of acting comedy is in me. I put comedy as much as I can into all my movies, if I can help it.

Even though I have fond feelings for comedy clubs, I enjoy the focus you get in a theater. Comedy clubs are a different animal. People are being served nachos and there's a blender going off in the background.

I love physical comedy. Comedy that comes from an emotional place is amazing too and lets me develop in a new way as an actor.

I heard there were two local guys in town doing songs and comedy so I thought I'd take a look....they took my breath away...with their music, comedy, and showmanship.... 'Dakaboom'.. is the genuine article! Two voices in perfect harmony, and with joyful abandon and humor, they take you on a magical, musical, modern day vaudeville tour!! Ben McLain and Paul Peglar are headed for stardom. They are unique, they are original, and they are known as 'Dakaboom.' Don't miss 'em 'cause you're in for a treat!

It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.

I actually feel that all drama has an element of comedy in it. A great deal of that I learned from writers like Chekhov who called his plays his comedy even when they touch on tragedy.

I feel like with comedy, the crazy things that happen are never serious you know? Like, rubble being poured onto you in drama would be something that's absolutely terrible, but in a comedy it's absolutely terrible but so funny.

You know, I've just always been sort of goofy and kind of gone with it. I actually usually work more in drama, but I have been floating back and forth with comedy and somehow they keep giving me jobs in comedy, so I guess there's something funny about me.

My first time on stage was the class "graduation" at the Comedy Store. It was awesome. Everything got huge laughs and I just thought I knew how to do comedy.

Haven't you noticed that we women daydream infinitely less than you men? We can't anticipate pleasure in our imagination or keep suffering out our lives with some imaginary consolation.Whatever is,is.Imagintion! It's so paltry!Yes,when you've grown older,as I have,you occasionally make do with the poor comedy of the imagination.

It's a comedy thriller, brilliantly written and it's full of twists and turns at every page. When I was reading it I was desperate to get to the end to find out what happens, it really hooks you.

Comedy, not screaming at someone, can make someone lift their legs higher. There is a way to do a push-up and a sit-up, and it doesn't have to be so complicated. Everyone is putting a difficult twist to it and making you do way too much.

I read a lot. I spend of lot time thinking. It actually looks like I'm doing nothing, but... hanging out with clever and interesting people is a must if you're writing comedy, like hanging out with a good bass player when you're a drummer.

In the world of comedy, having a partner is not the most unusual thing.

Comedy is a group activity, a verbal orgy.

Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It's harder.

This world is a comedy, not Life.

I think that people who do enjoy my stand-up comedy and the people who get it and the people who are taken in by it, they see that I'm a guy that has love of the game.

That's what's nice about being on Comedy Central. You can't show your boobs even if you wanted to.

All I need to make a comedy is a park, a policeman and a pretty girl.