Quotes About Funny

Mr. McCabe thinks that I am not serious but only funny, because Mr. McCabe thinks that funny is the opposite of serious. Funny is the opposite of not funny and nothing else.

After my first novel, my mother said to me, 'Why don't you make your writing more funny? You're so funny in person.' Because my first novel was rather dark. And I don't know, but something about what she said was true. 'Yes, why don't I?' Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I've done has a comedic edge to it.

I love funny people, and when I'm with funny people, or people who are amusing in their weirdness, I love it. Because that to me is funny, as opposed to someone who stops and says, 'Hey let me tell you a joke.'

I'm definitely in the market for being uncool. There was some funny stuff, like the thing about making sure I show people that I have tattoos and cigarettes so that they know I'm badass. But really, I do have tattoos! And I do smoke cigarettes sometimes, and I can't change that. But I am not badass, by any means. I do some stuff that's tongue-in-cheek, and some stuff that's on the line. And it could be funny, it could be serious, and I never even know myself, because it could be funny that day, and the next day it's totally embarrassing.

If it's inappropriate to write about, if there's nothing funny about it, then it's not funny.

I like books that are funny, but that aren't trying to be funny. I like situational humor.

In real life, bad things happen and they're not funny, and then bad things happen and they can be funny. When you're unhappy you don't go an entire time without laughing. You don't go your whole life without laughing. It's just life.

I'm a fan of Bill Hicks. He did things that no other stand up did at the time. He was making fun of religion, at that time it was a lot harder to say those things in the States than it was here. To slag off Christianity and fundamentalist Christians, and to be pro drugs and anti gun in the deep south, that's a big ask. And he did that and made it funny. Bill Hicks was able to say things that he really thought, and he managed to make those thoughts funny without a care if it antagonised people.

When a man plays a woman in a dress, you're halfway there. It's inherently funny. When a woman plays a man, for whatever reason, it's not that instant kind of funny.

I know a lot of funny people in a lot of funny places.

It’s crazy. Since there have been men and women, there have been funny women... f**king idiot-ass men keep saying that women aren't funny. It makes me crazy. I find it disgusting and offensive every time.

We all know funny people who can't get it down on the page - even funny writers who can't get it down on the page.

As soon as you start to talk about your own mannerisms, you are screwed. Because if you are aware of your own mannerisms, or beyond that even what makes any one thing funny to people, I really ascribe to that that if you start deconstructing it too much, it is immediately not funny.

Sometimes people that are very good at improvisation in life, meaning like stage improvisation, aren't good in films because you have to ultimately take a scene where it needs to go. It's not about just saying something that's funny. You can say something funny but if it's not on story or driving the scene to its end it's really not very helpful at all.

When the situation is serious, don't be funny; and when the situation is funny, don't be serious!

Working with Chaplin was very amusing and strange. His films are so funny, but working with him, I found him to be a very serious man. Whereas the films of Hitchcock are macabre, he could be a very funny man to work with, always telling jokes and holding court. Of course, when I worked with Charlie he was getting older.

He knew why he wanted to kiss her. Because she was beautiful. And before that, because she was kind. And before that, because she was smart and funny. Because she was exactly the right kind of smart and funny. Because he could imagine taking a long trip with her without ever getting bored. Because whenever he saw something new and interesting, or new and ridiculous, he always wondered what she'd have to say about it--how many stars she'd give it and why.

It's harder when people are playing along, because it's just not as funny. They're trying to be funny, and it sort of cancels out the whole joke.

I think cheese smells funny, but I feel bananas "are" funny. I'm assuming Swamp told the whole story of the executives seriously asking us to replace the banana with cheese because they thought it was funnier.

I've never considered myself to be naturally funny and it wasn't until I booked my first few jobs in Hollywood that I started thinking, "I guess I'm funny."

So much of a stand-up's life is doing live radio and having to be funny and quick on the spot with these strangers, and sort of surgical in terms of how funny I can be in three minutes.

If something is very, very funny but possibly controversial, if it's truly funny, then it's worth doing. Things aren't worth doing for the sake of being controversial.

You can't be funny unless you're tragic, and you can't be tragic unless you're funny.

I think stutterers are funny. And I know it's rude and politically incorrect to laugh at stutterers. But I think it is okay because I know why they're funny. They make people nervous. People think, when on earth are they going to get the word out, so they start laughing out of their own nervousness.

It's quite frightening; the business of trying to be funny is very hairy. In comedy, the potential for humiliation is huge. Trying to be funny and failing is about the most embarrassing thing you can do.

People are always surprised that I have a funny side because I'm usually so intense, strong and dramatic. But, I'd love to do something really, really silly and funny.

What we set out to do with this movie [Leaves of Grass] was to create something that was funny and serious and had large tonal ambitions. A movie that could be poignant and funny, and suddenly quite violent. To have a character utterly sideswiped, and to learn that life is about balance.

My stories take three or four months to fix, and it's not magical of a process. Ultimately it's a boring, difficult process. I write everything out, and then the parts I think are funny I put in bold. Then I go perform it. Then the parts that aren't funny, I unbold them.

You want everyone to be great and funny. I'm not saying I'm great, but I'm funny.

I make people laugh hard; I'm a comic, that's just the way it is. And I make them laugh because I'm funny, not because I'm filthy. The subject matter is dirty, but the pictures I paint are really funny. A lot of comics don't understand that that's what it's about. It's just, "I'll be dirty and they'll laugh." Nobody's becoming a superstar that way.

Don't try to give a funny opinion; give your opinion in a way that will be funny.

I guess funny people are attracted to funny people, and then you get comedy marriages.

I have a rule - 'funny is funny!' When I write comedy, it's not my aim to upset people. I will be offensive, edgy and immature, but I will also be very intelligent and relevant. At my shows, there are no holy cows.

Its really irritating. Even people who like my work sometimes come up to me and say, I usually dont like female comedians, but your material is great! It makes the job prospect more daunting. Funny is funny, you know?

People wince when something is in bad taste. They laugh when it's funny. If it's too dirty or wrong, they won't laugh. But if it's a big, dirty, smart, funny laugh, they love it.

Life is funny and we are really funny, especially when we get to be hoity toity; we can be so ridiculous. Life is fun.

Sometimes just being an immigrant, I read things the wrong way, and that can be funny. Or I'll put the emphasis on the wrong word, and that can be funny. I have an affinity for comedy because I like to watch them. It's an honor to make comedies because I love being able to pop something into the DVD player and laugh. I love doing it.

Working with Robin Williams, what can you say? He's the best of the best. What I really liked watching was, not only is he incredible funny, probably the funniest person on Earth which is a tough award to give out, but to see what it really takes to be a huge star is way beyond a good partner being extremely funny.

Sometimes my humor does offend people, and I've said it before: I don't write jokes to be offensive. I write jokes to be funny, and I guess what I find funny are things that other people sometimes find offensive. I would love nothing more than to never offend anyone, but it just doesn't seem to work out that way.

I think you figure out how to be funny by necessity. It's not a natural thing, being funny in the face of tragedy is kind of demented.

I got to play a funny part [in the The Master Of Disguise]. There was one thing my character did that involved flatulence and laughing at the same time - that was in the script - and that was basically what sold me on it. I really thought, "This can't help but be funny." And when I saw the film, I was proud that I'd had those moments.

When I say something funny in a newspaper and I meant it to be funny, it doesn't read that way.

I would rather be funny than gorgeous, absolutely. Because it's too hard to be gorgeous, you know. I could make a stab at gorgeous as long as I had something funny to say to get out of it.

When you're on a staff, it's not your job to write what you think is funny. It's your job to write what the person who created the show thinks is funny.

It's very difficult once you've been on telly because people know what you do. They give you a little bit of grace but then they're harsher if you're not funny, so you have to be funny.

I'd love to do a comedy. I'd love to do a two-hander like the old Leathal Weapon movies. I love those, like an action comedy with the straight man and the funny man. I'd love to do one of those. Just got to find one, find a funny man that wants to do one with me.

I think we're the only jokeless show on television. I mean really, we have no setups and no punch lines. It's not a joke show. There are funny lines and funny moments but again the comedy is born of the human experience and awkward pauses are a great part of what it is to be human.

I think there's something in the fact that it's hard to be good looking and funny. You have to have an oddball quality; people have to sympathise with you to find you funny.