Quotes About Comedy

Women comedy is different than men comedy. Guy comedy is very aggressive, it's about insulting each other, name-calling, and kind of busting each other's chops, and that's not what women's comedy is.

It's very hard to find a good comedy. I prefer doing comedy far over anything else because I think they're actually more profound. But finding a good one and a great ensemble is very difficult to do and I'm delighted that in these particular times there is so much interest in comedy and that comedy is having so much success.

I can do comedy, so people want me to do that, but the other side of comedy is depression. Deep, deep depression is the flip side of comedy. Casting agents don't realize it but in order to be funny you have to have that other side.

I've stopped doing things that aren't clear comedy gigs - to do something that's not "comedy night," it's a difficult thing. People have to be given permission to laugh. You need to know it's comedy; otherwise you might just think I'm a man talking out loud.

There's comedy even in tragedy. There's comedy in life. And in 'Castle', we go for that comedy.

When I first started doing my comedy act, I just desperately needed material. So I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines. I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.

Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.

Comedy is immediate. Comedy is a solo mission. You're all by yourself, up there. And when you're in a film, on a set, it's a collaborative effort. It's about me being a tool for somebody else to create a story and a character from nothing, from their imagination.

There wasn't a big tradition of comedy at Dartmouth. More than that, there wasn't really anything artsy going on in Hanover, or even in New Hampshire. The cool thing about the school is that there's nothing for people to watch, so if you were to do a play or a sketch or an improv troupe, it was always packed. There's nowhere else for anyone to go. But there was no comedy.

The thing that still exists is that if it's at all possible for me to step outside the club after the show, because I still haven't encountered any comedy clubs that - legally they can't have weed smoking and alcohol at the same facility, pretty much in all the states that have legalized, that's part of the deal. And, unfortunately, comedy clubs make all their money from the selling alcohol part of it. So, since there are no venues I can smoke with the fans in, I step outside and pretty much every show I do there are some people out there and we have a nice little session.

I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.

I like all kinds of comedy. I like comedy that doesn't talk about real beliefs or serious thoughts, but then I also like the stuff that does. I think it just depends. It's a completely personal choice.

Verse comedy is interesting to me because of the challenge of writing in rhymed couplets, which is not a form that's usually amenable to English, yet to me it gives great possibility for comedy.

And what could be a hotter ticket than the improbable triumph of 'The Book of Mormon,' the musical-comedy moon shot of the season? Its creators, Matt Stone and Trey Parker, of Comedy Central's 'South Park,' are the most unlikely Rodgers and Hammerstein team ever to bowl a thundering strike.

We all know what tragedy is. "Yes, I'd rather not have any more tragedy, please. I'll have comedy, please." Comedy, in the Greek sense, only means that it has a happy ending.

I remember reading in a comedy book very long ago when I first started, a person said there's a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.

Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue.

I think comedy is an angry art form; it's an outsider art form. Anger and comedy are really connected. If I'm angry about something I will try to think about something funny about it to lighten the load of the anger and cope with the anger.

Comedy is more difficult. You can look at scenes when you're doing a drama like, “Maybe it works,” but in comedy, when you're doing it, either it works or it doesn't. You have to keep doing it until it does, and the requirement is more.

I think comedy is so much easier to do on the page than it is in real life. When I'm writing, comedy is an easy way to win over the reader. You're automatically more disposed to keep reading, thinking maybe, "I'll get another laugh or two." I think it's a survival instinct in me. I mean, you don't want to lose these guys within five or ten pages. You want them to keep going. I think to some extent it's a desperate measure that I throw out there, because a novel isn't a complete waste of time if it made you laugh.

Both law and comedy are heavily focused on thought and viewing all angles. To write a good joke, you have to look at a premise every way possible. And with a good legal argument, you have to see all sides to get the best line of argument for your client. Law school made me a better comic, and comedy has made me a better public speaker.

Yet there are some people - Steve Allen would dissect comedy forever; he's a really funny guy, but he would love talking about comedy. I'm doing it right now and you all seem bored.

I was kind of in an experimental phase with The Disposable Rappers. This is boring to me, because it's true, but when I was a sophomore in high school, I visited my sister in college and saw an improv troupe, and that was a genuine moment for me. It was an actual "Aha!" moment. After I saw that, I said, "I want to do comedy." So The Disposable Rappers started doing improv in addition to rapping, and when I went to college, I very specifically went saying "I want to join a comedy group."

I don't have that kind of Southern experience, of the fire-and-brimstone preacher type of thing. Certainly not in my comedy. I come more from the guilt-ridden, neurotic type of [ - ] I have more in common with the Jewish brand of comedy.

I'm much more a European Italian than I am an American Italian, and I've always felt that that style of acting comedy is in me. I put comedy as much as I can into all my movies, if I can help it.

I love physical comedy. Comedy that comes from an emotional place is amazing too and lets me develop in a new way as an actor.

I guess there are no real strict rules [in comedy], but I just learn to apply my philosophy about comedy which is, it's a serious business and the result needs to be funny, not the process.

I've always prided myself on being able to perform in the "alt-comedy" zone, but also being able to do comedy for people who aren't media-saturated, and maybe don't have the latest Dan Deacon album. I probably won't be the most popular guy at Zanies in Nashville, and I'll never be the coolest dude at Largo, but I like that I can swim in both those waters.

I'd love to do comedy. I'd probably have to get my laughing fits in check, because generally if I've done comedy, I'm usually the straight character that plays against the very obviously funny character, so that's really hard when the person is really hilarious.

I never consciously got into comedy. It was sort of one of those things where I was a theater student, I was acting, I was doing comedy, I was doing dramatic stuff, so it's been something that I've always done and enjoyed doing and had an instinct to be relatively good at.

It's very hard to watch comedy for me, when I'm doing a comedy show, because I either watch a show and I love it, and I'm jealous, or I watch a show and I see all the problems with it, and I'm angry that I watched it.

I think the world of comedy is a relatively small community, and especially for women in comedy, there just aren't that many people involved.

A comedy isn't about being funny," said Mrs. Baker. "We talked about this before." "A comedy is about character who dare to know that they may choose a happy ending after all. That's how I know." "Suppose you can't see it?" "That's the daring part," said Mrs. Baker.

I like comedy when its mixed with action, it's just so much fun to do comedy with a bit of action, its fun to watch and also so much fun to do.

When you make comedy, you make it for the people and you try to have as many screenings and as many tests and you do focus groups and you read the cards and you try to give the people what they want in this comedy.

I was open to anything. That doesn't mean I would do anything, it just means I was open to anything. I've met for dramas, single camera comedy, multi-camera comedy. I take each script as an individual project.

Eugene Mirman is the Andy Warhol of comedy. People look to him for what's next in comedy, and he emails these people back promptly. The Will to Whatevs put me in a great mood because I was laughing out loud. Alone. That's hard to do.

I feel like with comedy, the crazy things that happen are never serious you know? Like, rubble being poured onto you in drama would be something that's absolutely terrible, but in a comedy it's absolutely terrible but so funny.

It really was a unique experience to me to have a television show, Comedy Bang! Bang!, that I really cared about so much, and to know that it was the end, and know that that was the ending of it. We had a wrap party, and we thanked everybody. You don't get that a lot, especially in comedy.

I stopped doing romantic comedies. I just stopped. They're terrible. They're bad. They're not funny and so they shouldn't be a romantic comedy because most of the time they're not romantic. They shouldn't be called romantic comedy.

With comedy, you get an immediate response. I'm the whole kit and the kaboodle. I am the whole thing and can steer the whole situation how I want to. With film, you are basically in one area. Comedy is straight to it and the film is heavily shaped the camera and editing, so it's different.

When I started stand-up - and this is in the '90s - there was definitely people hadn't watched decades of Comedy Central, where people are really much more educated on stand-up comedy.

Haven't you noticed that we women daydream infinitely less than you men? We can't anticipate pleasure in our imagination or keep suffering out our lives with some imaginary consolation.Whatever is,is.Imagintion! It's so paltry!Yes,when you've grown older,as I have,you occasionally make do with the poor comedy of the imagination.

If you had to relive your life exactly as it was – same successes and failures, same happiness, same miseries, same mixture of comedy and tragedy – would you want to? Was it worth it?

I read a lot. I spend of lot time thinking. It actually looks like I'm doing nothing, but... hanging out with clever and interesting people is a must if you're writing comedy, like hanging out with a good bass player when you're a drummer.

Certainly situation comedy is harder than people who are good at it make it look, but it's fun to do something different.

The comedy gods are smiling on me tonight, because I have been saying, for the longest time, that president Bush must set a timetable for removing his head from his ass...and, by god, today they went in and looked for it... They didn't find it. So now we don't know where it is, but at least for once in my life, I get to see the words "Bush", "operation", and "success" in the same sentence.

I really like the stuff that is very absurd and very real at the same time. I think Anton Chekhov is the greatest comedy writer of all time. I think he would make a great addition to The Office staff. If you look through Chekhov plays there is a lot of awkward pauses in there. His mixture of pathos, absurdity, truthfulness and whimsy is just mixed together perfectly.