Quotes About Funny

What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.

How can you analyse what is funny? What's funny to one isn't funny to another... What's funny to you is a personal thing.

I am not funny. The writers were funny. My directors were funny. The situations were funny… What I am is brave. I have never been scared. Not when I did movies, certainly not when I was a model and not when I did I Love Lucy.

For some reason, people find me funny. It's quite hard to define why a thought is funny. It's even harder to define why a person would be funny. It's a word that I can't define at all. But whether I know quite what it is or not, I seem to be it.

When we shot that [Westworld], it was so funny. Not funny - I mean, like, funny-strange because I, personally as an actress and as a person, am so used to having to play the damsel, that when we were shooting that scene, and Jimmi looked at me and said, "Dolores, run," I ran. Then I stopped myself, and I turned around and I went, "Oh my God. I'm so used to running."

Cursing dads are terrifying, you know? Cursing dads are - I don't know why, but no. It just doesn't seem to me that that would be funny. I mean it might be - you could try it and see. I suppose anybody just losing it and sputtering curses is pretty funny. But I think it would be more of a challenge, much more of a challenge, to make a cursing dad funny.

A joke is either funny or it's not funny. If I hear a funny joke, you know what I do? I laugh, that's what I do. I don't start a focus group to see who got hurt by the joke.

I think I'm the funniest guy in a room full of unfunny people. Unfortunately, my career is increasingly leading me into rooms where everybody is funny. I'm the least funny person in a room full of funny people.

Comedy isn't really something where you get discovered. You can't network your way to being funny or talented. It's not hard to get seen if you're funny. If you're funny, talented, and work hard, you will go somewhere.

Comedy should never be over-analysed. It's either funny or it isn't. There's a subtle difference between those who say funny things and those who say things funny.

It is not funny that a man should be killed, but it is sometimes funny that he should be killed for so little, and that his death should be the coin of what we call civilization.

The reason why you know more funny dudes than funny chicks is that dudes are funnier than chicks. If my daughter has a mediocre sense of humor, I'm just gonna tell her, "Be a staff writer for a sitcom. Because they'll have to hire you, they can't really fire you, and you don't have to produce that much. It'll be awesome."

I don't trust tragedies much. It's easy to make a person sad by showing him something tragic. We all recognize when sad things happen: someone dies, someone loses a loved one, young love is crushed. It's much harder to make a man laugh-what's funny to one person isn't funny to another.

Vicodin, I got addicted to that little pill. The reason I dont talk about it too much in the press is because it isnt funny, and I love to be funny in interviews. If you joke about that period in your life, it doesnt seem right.

I'm a fan of Bill Hicks. He did things that no other stand up did at the time. He was making fun of religion, at that time it was a lot harder to say those things in the States than it was here. To slag off Christianity and fundamentalist Christians, and to be pro drugs and anti gun in the deep south, that's a big ask. And he did that and made it funny. Bill Hicks was able to say things that he really thought, and he managed to make those thoughts funny without a care if it antagonised people.

I love anybody funny. I think my ten-year-old sister is really funny. She makes me laugh way more than most people do.

I don't find the same things funny that many other people seem to find funny. I don't really respond to sex jokes and things like that, and some of my friends look at me and go, "Come on, Nic, that was my best joke. Why aren't you laughing?" I go, "I really don't know why I'm not laughing. I'm sort of out of sync with it." So I'd have to find something that was really about weird human behavior for me to laugh.

There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.

I'm an unorthodox type of guy, a funny guy - at least I think I'm funny. And one of the things I like to do is come up with nicknames for myself.

I used to like Barbra Streisand films. It was Funny Girl that really turned me on, in a sense, to acting. I remember it specifically being a rainy Saturday afternoon. I couldnt play football, so I stayed in, and I watched Funny Girl.

The talented actor needs craft. When you do a stage play, you do it once each night in chronological order. In a film you're going to wind up doing a scene 15-20 times, just by the nature of the process. If I tell you a joke once, it's funny. The more times I tell, the less funny it is. How do you get to the point where you can laugh again? You also may have to cry again and again.

It's harder when people are playing along, because it's just not as funny. They're trying to be funny, and it sort of cancels out the whole joke.

Humor is not funny. Humor is something else. Funny is a joke, sometimes silly. Comedy is deep and connected to tragedy; comedy could be deeper than tragedy, in my view.

A fellow who has a funny bone can learn to hone his skills, but I don't think you can develop a funny bone - you either have it or you don't. And by the way - when you get it, we don't know it.

It's funny: I put money into short films, and I put really good actors in it, and I write some stuff that's really funny, and I'll get, like, a million views. But to the right of me, there will be a video of a kitten that falls into a toilet bowl, and it's three seconds long, and it will get 25 million views.

I would like to play some character that's somewhat dramatic. I don't see myself ever becoming that serious, or it sounds weird, but I don't see myself doing something that's really dramatic but somewhat dramatic. I would like to do something that's more real and doesn't have to be laugh out loud funny. I always like whatever I'm involved in... whether it be funny or whether it be somewhat like... I'm not gonna try to get people to really cry.

I like talking about subjects that aren't funny in the first place and making them funny. So anything down and depressing is something I'll talk about.

The middle class is so funny, it's the class I know best, and it's the class where you find the most pretension, so that's what makes the middle classes so funny.

It's not bad enough I am exiled? It's not bad enough you take away the few good heroes I'm allowed to meet? You think it's funny to send me this this ― this charbroiled runt of a boy to ruin my tranquility? This is NOT FUNNY! Take him back!

I think the audience should take away that it's okay to be smart, it's okay to be funny and well-learned. You can be from academia and be funny; you don't have to be an idiot.

I don't know now if I'm funny. I just keep talking and hope that I hit something that's funny.

Don't try to give a funny opinion; give your opinion in a way that will be funny.

Growing up, I didn't know anything about comedy and didn't know anything about comedians or what standup was. I grew up in the projects with no dream of anything, it was in my formatting when i got older and started talking to my friends about how I felt, they would be like, "dude, that's funny." Then one day my friend was like, "Dude, you don't understand how funny you are, you need to do standup"!

It's just kind of seemed like a funny way to explore action movies, I guess. I mean, I'm a big fan of them always. It's always people who are very equipped to deal with the situations that they're thrown in. So, the notion just seemed funny, because it's, like, basically stoners are kind of the last guys in the world who are equipped to deal with that. And the humor possibilities just seemed somewhat endless.

Its really irritating. Even people who like my work sometimes come up to me and say, I usually dont like female comedians, but your material is great! It makes the job prospect more daunting. Funny is funny, you know?

Yeah, the main goal when I'm writing [movie scripts] is to entertain myself. It's supposed to be funny, but then a funny idea can be turned into something else.

You think you're funny! You think you're funny Cena, huh? The only pose you're going to be doing tonight is lying on your back with me on top!

I'm a pretty funny guy, and I would love to do a comedy with a bunch of funny guys - movie-star guys, where they could help me through it.

An early editor characterized my books as 'romantic comedy for intelligent adults.' I think people see them as funny but kind. I don't set out to write either funny or kind, but it's a voice they like, quirky like me... And you know, people like happy endings.

Sure, I would have loved it, if we'd gotten 2,000 screens, but I never had that delusion. I was very realistic. I think it's a success, in that it turned out funny, I got everyone I wanted to be in it, and it will get seen. The hope is that it gets a little cult following. I think people will be surprised about who's in it and how funny it is. That's my hope.

I'm not a broad comedy guy. I've been funny in movies, but I'm not a comedian. I'm an actor who's sometimes funny.

When I say something funny in a newspaper and I meant it to be funny, it doesn't read that way.

For a short period of time, I was like, I have these jokes and if people get them, they get them. And then eventually, I was like, Oh no. It's absolutely my job to convey to people why what I think is funny, is funny. The whole point of standup is to get the audience to understand your weird point of view.

How funny is it that so many professors labeled Tea Partiers as terrorists, while kissing the asses of real, bona fide terrorists? It's not funny, really. But it's the result of a simple equation: One is cool, and the other isn't. Own a gun and keep it by your bed in your remote farmhouse? You're a redneck. Purchase guns that end up killing a judge? Priceless. As long as you cling to cool, progressive beliefs that deem America evil, whatever you do is cool. And if you do it under a big fuzzy 'fro? Even cooler. Hell, if you 'fro is big enough, you could nuke an orphanage and still get tenure.

It’s funny—when people call you “shy,” they usually smile. Like it’s cute, some funny little habit you’ll grow out of when you’re older, like the gaps in your grin when your baby teeth fall out. If they knew how it felt—really being shy, not just unsure at first—they wouldn’t smile. Not if they knew how the feeling knots up your stomach or makes your palms sweat or robs you of the ability to say anything that makes sense. It’s not cute at all.

I would rather be funny than gorgeous, absolutely. Because it's too hard to be gorgeous, you know. I could make a stab at gorgeous as long as I had something funny to say to get out of it.

When you're doing comedy, you're not trying to be funny. I think things are funny when the character is taking it totally seriously. I think when people are winking, it becomes slapstick, it becomes something else.

Funny bones, to me, are more important than funny lines. If a comedian is just not likable and doing the lines, you could read them yourself. Whereas if someone [you like] shambles out, and they tell you what a bad day they've had, they don't have to say anything. I love them. I want to hug them because they've been through something. And it comes back to empathy, always empathy.