Quotes About Funny

My uncles were all funny. My dad wasn't funny, but my uncles were all funny. Now I go back and I like him better than them, they were manipulative funny.

After my first novel, my mother said to me, 'Why don't you make your writing more funny? You're so funny in person.' Because my first novel was rather dark. And I don't know, but something about what she said was true. 'Yes, why don't I?' Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I've done has a comedic edge to it.

There are a couple hard things. One, getting a funny idea that people can relate to; a funny idea or a funny script; there's a million pitches.

I always was a funny guy, the class clown. I had a very funny dad and an extremely funny grandmother.

I've never set out to write a funny movie or be a funny comedian as a woman. I am a woman. I don't really have a choice in the matter. My goal is just to be funny.

Comedy is probably a lot harder for me. Maybe it's because I've been doing drama for so long or maybe it's because... you don't want to search for a laugh; you can't try to be funny, you just have to naturally be funny or be in a situation that's funny.

I've never been funny. I don't think I'm funny. People say I'm funny. I go, 'No. No. I'm not.' But again, knowing what it means to film on a TV show and on film, you have to repeat, repeat, repeat. You have to do the same thing a number of times if you're filming a sequence. And to carry that energy in a comedic mode, would be a challenge that I really would frightfully scared, but I'd have to buck up and pull up my bootstraps and say, 'I can do this. Let's figure it out.'

I have a funny sense of humor. If I was a comedian and I was up on stage, people would think that's funny, because I'm a funny comedian. I'm an entertainer.

Comedy should never be over-analysed. It's either funny or it isn't. There's a subtle difference between those who say funny things and those who say things funny.

Now I'm just like everybody else, and it's so funny, the way monogamy is funny, the way someone falling down in the street is funny. I entered a revolving door and emerged as a human being. When you think of me is my face electronically blurred?

My philosophy is that if you're playing a moment truthfully, that it's a funny moment, then hopefully it will be funny. I like to just go for a truth in the work as much as I can. There's a lack of ego when you're working with comedy that I really love. It's hard to come up with something funny. It's become a fun game in a way. Everyone is going for the gold, for that humor.

Interestingly it's when you come to the comedy, that's where a lot of the discussion is. It's like ten people sitting around talking about what is funny. "Is that funny? Is that funnier than that? Is this slightly funnier than this?" I guess that's what it's like when you're making a comedy movie as well, you just have to sit around talking seriously about the nature of comedy.

You feel like telling him you're not single in the way that he thinks you're single. After all, you have yourself. I think a lot of humor is about distracting yourself. Pretend you're not trying to make it funny. Because for some reason the effort to be funny smells like sulphur in our culture.

I like books that are funny, but that aren't trying to be funny. I like situational humor.

What's so great about working with really funny women is that vanity comes second. Whatever makes it real and funny, they're going to go for, and it's just great.

I never thought I was funny. I don't THINK funny.

Nothing funny about happy people. I don't know, you just look at a situation or a life, and you can kind of pick up the areas of conflict and delve in there, because that's where the most story is. If someone's happily married for 20 years, that's great, but it's not that funny.

My mum passing away wasn't funny, but that funeral and what I went through, the things that happened, looking back at it, there were funny moments. You have to be strong enough to look back at it, to sit and assess the situation.

I love being funny! I started in the theater when I was 9 and, believe it or not, always played the funny part!

I glean a few times a week, and it's all about the subject line. I look for the lyrical, "Billowy Red Scarf Girl" or the funny, "Hipster Chick Who Passed Gas," the unintentionally funny, "Looking for the Hot Girl in Pink Dress," ones that immediately suggest images, "Furry Arms Under a Yellow Umbrella," or the plain odd, "Seeking Girl Who Bit Me Twice..." I don't think I've ever abandoned one... the images usually arrive fully formed in my head as soon as I read the message, and I decide whether to draw it or not.

I remember reading in a comedy book very long ago when I first started, a person said there's a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.

If it's dirty, it's not funny, but if it's funny, it's not dirty.

Bob Dole used to be really funny. Barney Frank can be kind of funny. Bob Kerrey has a good sense of humor.

As soon as you start to talk about your own mannerisms, you are screwed. Because if you are aware of your own mannerisms, or beyond that even what makes any one thing funny to people, I really ascribe to that that if you start deconstructing it too much, it is immediately not funny.

He knew why he wanted to kiss her. Because she was beautiful. And before that, because she was kind. And before that, because she was smart and funny. Because she was exactly the right kind of smart and funny. Because he could imagine taking a long trip with her without ever getting bored. Because whenever he saw something new and interesting, or new and ridiculous, he always wondered what she'd have to say about it--how many stars she'd give it and why.

I find things funny that aren't self-aware. That don't know they're funny, and I think the same can hold true for drama. If you think you're in this tragedy and you play it for tragedy, there's a self-awareness there that I think takes you out of watching it and I believe it cuts both ways.

Of all the things about de Sade, I would argue he is funny. A lot of people didn't understand de Sade. No. 1, he is a very good writer, and No. 2, he had the courage to talk about a lot of things that in public, even now, almost nobody has the courage to talk about. He would do it with a kind of funny way - not the stories themselves, but the way he tells them. He is never serious.

Business, like life, is funny. We all go through difficult times, and we all have to face curve balls and challenges, each and every week. And we need to laugh when things are funny.

You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.

MY ACT IS 'NOTHING BUT COMEDY. I TALK SOUTHERN BECAUSE I PICKED IT UP WHEN I MOVED TO THE SOUTH. IM NOT TRYING TO MAKE ANY SOCIAL POLITICAL POINT, NOR AM I TRYING TO MAKE FUN OF REDNECKS. I GREW UP A COUNTRY KID AND WILL ALWAYS BE ONE. I GREW UP WITH PEOPLE THAT SAID CERTAIN THINGS FUNNY AND I PREFORM USING THE SAME LANGUAGE BECAUSE I FIND IT HYSTERICLE. THATS IT. ITS A COMEDY SHOW THAT IS FUNNY AND THATS IT.

There are just so many funny kids and teenagers. They're just not aware of how funny they are.

I was able to work with some really talented funny people! I was a fan of both Max Greenfield and Jake Johnson before being on the show and it was amazing working with them! My main scene was with Max and we did so many takes with different reactions. He is so funny! After ever take everyone was laughing so hard!

I don't need no stool and mike stand. I don't need all of that to be funny. I've been funny my whole life. This is a gift God gave me. I spread love wherever I'm at. I'm like Marvin Gaye.

The middle class is so funny, it's the class I know best, and it's the class where you find the most pretension, so that's what makes the middle classes so funny.

You want everyone to be great and funny. I'm not saying I'm great, but I'm funny.

I think the audience should take away that it's okay to be smart, it's okay to be funny and well-learned. You can be from academia and be funny; you don't have to be an idiot.

Any misfortune that happens to another person is funny. If it happens to someone else and not me, it's very funny.

When I was a kid, I never did funny things to get attention. I was never a funny person. I was never, like, 'Oh, wow. I could say this some day on stage.'

What reaches an audience is honesty. If you're saying something truthful that's supposed to be a funny line, it's going to be funny. And if it's supposed to be a serious line, it's going to be serious. But, I don't think there's a distinction between how you play drama or comedy, if it's based in the truth.

I think it's always funny when you see kids do Shakespeare. When I was at school, I was in Hamlet. I played Claudius, who's supposed to be a 60-year-old man, and I was like 18. It's inherently ridiculous seeing 18-year-old boys with gray beards. That's always funny.

Some of the funniest things are just situations in life that are funny. The way people interact. People describing their first kiss with someone, to me, is really funny. When someone goes into detail about each moment of that, I really find that enjoyable to listen to.

I can't find someone funny whom I don't like. Hitler told great jokes. I didn't find it funny at all.

I think there have always been funny women, from Carol Burnett to Joan Rivers. When the audience sees a woman, they innately know she's worked twice as hard to get there, she's had to prove that she can be the leader, first, and then be funny on top of it. She has to emit a confidence that she's in control.

I think you figure out how to be funny by necessity. It's not a natural thing, being funny in the face of tragedy is kind of demented.

In order for comedy to be funny you have to play the truth of the moment. But if you're not being completely truthful to the basis of the character, its not going to be funny.

The movie [ The Innkeepers] is in no way a comedy, but I would put some of the funny scenes up against some of the funnier comedies this year. I think it's genuinely really funny, but it's out of the gallows.

I think the second you think that you're funny is when you stop being funny.

How funny is it that so many professors labeled Tea Partiers as terrorists, while kissing the asses of real, bona fide terrorists? It's not funny, really. But it's the result of a simple equation: One is cool, and the other isn't. Own a gun and keep it by your bed in your remote farmhouse? You're a redneck. Purchase guns that end up killing a judge? Priceless. As long as you cling to cool, progressive beliefs that deem America evil, whatever you do is cool. And if you do it under a big fuzzy 'fro? Even cooler. Hell, if you 'fro is big enough, you could nuke an orphanage and still get tenure.